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Word: eyebrowed (lookup in dictionary) (lookup stats)
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...pies in the kitchen; Roberts, milady's personal maid, is minding everybody's business but her own; and Rose, our own Rose, is looking noble. Upstairs, Lady Marjorie is reigning once more as empress of the morning room, stopping from time to time to arch an autocratic eyebrow at Husband Richard Bellamy. Daughter Elizabeth has caught a bad case of socialism, and Son James is dallying with Sarah, the underhouse parlormaid. Keeping everyone in place, of course, is the butler Hudson, better known as the admirable Hudson...

Author: /time Magazine | Title: Television: Return to Eaton Place | 1/15/1979 | See Source »

Portrait painters and photographers know only too well that the human face is asymmetrical; wrinkles and eyebrow movements vary, and the smile usually breaks from one side to the other. What is more, each side seems to express a different feeling. This phenomenon can best be shown by first covering one half of the face in a portrait, then the other. In most cases, the right side of the subject's face (on the viewer's left) appears pleasant or blank; the left side looks worried, fearful or even a bit sinister. The difference is even more pronounced...

Author: /time Magazine | Title: Behavior: People Are Really Two-Faced | 12/11/1978 | See Source »

...camera might not be kind to her. Her strong jaw, aquiline nose, and high cheekbones are riveting, rather than cover-girl cute. Much of her appeal stems from her continuous movements: the shrug of a shoulder, the toss of a stray curl, the arch of an eyebrow. Her hands are especially graceful, whether swimming gently in the air to punctuate her speech, or flinging back a scarf in an Isadora Duncan-like gesture. The interviewer drinks in the entire picture--the jawline, the blacks and purple clothing, the dark eyes set in white skin--and a one-word impression forms...

Author: By Troy Segal, | Title: An Actor's Actress | 11/8/1978 | See Source »

John Belushi makes this film. The rotund, slightly sinister and sleazy-looking fellow from "Saturday Night Live" makes his film debut in auspicious fashion. He doesn't actually say much, though. He doesn't have to. The man can do more with his eyebrow than most mortal comedians can do with their whole bodies. Unlike most TV comedians, who dominate the small screen but little else, Belushi easily makes the transition on to film. His character, Bluto, is the frat's resident gross-out and chief hell-raiser. He saves his best leers for the appropriate times: stuffing...

Author: By Andrew Multer, | Title: College the Way It Should Have Been | 8/7/1978 | See Source »

...public crusade on human rights (the Germans think it's preachy and unsophisticated) and economic policy (the Germans think Washington must cut oil imports to strengthen the dollar). Only last week, when asked about his relations with Carter in a television show, the theatrical Schmidt sighed, lifted an eyebrow and paused-gestures clearly belying his answer: "They are very good." When Carter claimed on the eve of his trip that his schedule would not permit his acceptance of Schmidt's invitation to dine with him at the Chancellor's home in Hamburg, Schmidt was livid...

Author: /time Magazine | Title: Nation: Bending over Backward | 7/24/1978 | See Source »

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