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Every little gesture has meaning in Kabuki theater, and the twitch of an eyebrow can be as electric as a lightning bolt. One of the stars of the company, Baiko, is a master of this sign language, and he plays Hangan with expressively poignant force. With staggering ease, Baiko also dominates the second number on the program, Kagami-Jishi (The Mirror Lion Dance), in which he plays a shy flower-loving maiden who turns into the king of beasts. (All female roles are played by men in Kabuki theater.) The three-stringed twang of the samisen haunts the entire evening...

Author: /time Magazine | Title: Broadway: Samurai Saga | 9/19/1969 | See Source »

Anonymous Sculpture. The Bechers' interest in photographing what most people prefer to forget has understandably raised many a questioning eyebrow. "The hardest thing when I first started was getting permission," says Bernhard. "They thought I was crazy." Descended from coal miners and steel workers, Becher came to his interest in industrial relics naturally. At first he pursued a painting career, soon found that the sights that captivated him were factories, machinery, construction sites...

Author: /time Magazine | Title: Photography: Beauty in the Awful | 9/5/1969 | See Source »

Nick Clark as Ma Marion and Jack Olive as Junior are in beautiful control of their parts and complement Patterson's sometimes undirected energy. Clark wields a strong umbrella, an even stronger arched eyebrow, struts and talks his castrating role for all its raucous humor. Olive, who doesn't have much of a singing voice, is almost obscenely comfortable on a stage, engaging and convincing as he puts across the show's only ballad. Randy Parry (Belle Bottom) develops the indifferent drunken daughter's part well, but is overshadowed by the sensational obscene clowning of Ed Strong and Randy Guffey...

Author: By Richard R. Edmonds, | Title: Bottoms Up | 3/4/1969 | See Source »

...piece for today is Lalo's Symphonie Espagnole. Galamian nods and sings along, sometimes snapping his fingers to indicate rhythm. His few comments are deceptively simple. "Intonation," he murmurs, or, "That's it, that's it." When something goes wrong, he raises an eyebrow; the music stops cold. Then he picks up his 1680 Nicola Amati violin and, filling the room with a full, rich tone, shows how the passage should sound. "Mark that," he says...

Author: /time Magazine | Title: Violinists: Cry Now, Play Later | 12/6/1968 | See Source »

...dissection of a fetal pig"), but overall the joke is strained. In the story, Brackley carves up his girl's face, but she becomes a model. Grotesque? Yes ("Camillia emerged from the bathroom wearing a slip and having a long, thin nose, a deep cleft serving as an eyebrow, one eye resting where her cheek bone formerly was ..."). Funny? Not really...

Author: By James M. Fallows, | Title: The Lampoon | 12/2/1968 | See Source »

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