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...Wall Street's judgment on Dow Jones ownership is pitiless. Investors in Murdoch's News Corporation hardly batted an eye when the old man bid $60 a share for a company that has been south of $40 a share for years. That enormous premium is the financial community's rough measure of the value of new management...

Author: /time Magazine | Title: Why the Wall Street Journal Deserves Murdoch | 6/4/2007 | See Source »

...search of solid ground on which to build the Ballinaboy refinery, a handful of campaigners huddle nearby in a converted horse trailer, fortifying themselves with hot tea, iced buns and buttered fruit loaf. At the gates a few gardai stand around looking glum and bored, with a wistful eye perhaps on their colleagues in the warm, dry police van parked nearby. The arrival of a reporter and a photographer produces a flurry of activity. When a dozen or so protesters make for the gates, the police take their positions for the well-rehearsed daily standoff. Today Corduff and Monaghan challenge...

Author: /time Magazine | Title: Rebels of the Bogs Tackle an Oil Giant | 6/1/2007 | See Source »

...twilight, when their interior lights come on, the lenses have a milky refulgence, radiating gently against the sky. In daylight, when the glass loses that ectoplasmic glow, there are a few dead zones along the exterior, stretches that have the featureless feel of shed walls. But to keep the eye occupied, Holl plays with the forms and arrangement of the five lenses, bending and dipping them as the hilly site also bends and dips. As you stroll down the slope, the building unfolds in surprising episodes. There's nothing quite like it anywhere else...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...though the gallery spaces are intricately conceived, they don't compete with the art, a complaint that's been raised against Frank Gehry's Guggenheim Museum Bilbao and Daniel Libeskind's addition to the Denver Art Museum. "I wanted a building that artists would appreciate," says Holl. So at eye level the galleries maintain their composure. It's overhead where he gets busier, playing with tilted ceilings and oversize curving alcoves that operate like cloud formations--meaning there's always something interesting going on up there, but gently enough that it doesn't demand your full attention...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...Bratton, as is his habit, isn't apologizing or retracting. "I'm not going to turn a blind eye to what I saw captured on the huge amount of video of the incident," he says...

Author: /time Magazine | Title: Can Bratton Survive May Day? | 5/31/2007 | See Source »

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