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Word: eyeful (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...long and alliterative for the size of the show), the weird, excessively detailed scenes are the most fun. You keep finding an unexpected figure under a tree or a crow in the sky disguised in the dark linear pattern. These ambiguous details emerging from the shadows tantalize they eye and draw the viewer into the scene for a close look...

Author: By Cynthia Saltzman, | Title: Delacroix to Degas | 3/17/1969 | See Source »

Since the medium itself is dated, the queer old-fashioned visions possessed by some of the lesser artists seem appropriate--the death of Desdemona or a gargoyle on Notre Dame. These images let the eye explore fantasies in ink that come from an era very distant from our own when art is haunted predominantly by Campbell's Soup...

Author: By Cynthia Saltzman, | Title: Delacroix to Degas | 3/17/1969 | See Source »

...future, in his new location, Samshak is optimistic. He has no doubt of the quality of his theatre ("Artistically speaking, there are few theatres in Boston we feel inferior to."), and he is certain that if he can only get his troupe into the public eye, the financial problems will work themselves...

Author: By Stephen D. Mikesell, | Title: The Atma Cries 'Alarum' | 3/15/1969 | See Source »

...Samoan fishing culture, which is dependent on the canoe, islanders would have no difficulty in recognizing the kinship of the English proverb, "It never rains but it pours," to one of their own: "It leaks at the gunwale, it leaks in the keel." From the Biblical injunction, "An eye for an eye, a tooth for a tooth," it is only a short and negotiable step to an old saying of the Nandi tribe in East Africa: "A goat's hide buys a goat's hide and a gourd a gourd...

Author: /time Magazine | Title: Language: The Wild Flowers of Thought | 3/14/1969 | See Source »

...questions and begun taking them for granted. Shame is probably his greatest film--and it is the first to aim exclusively below the neck. We had expected "A Film from Ingmar Bergman" on the subject of war to be filled with long dialogues, endless questioning; in our mind's eye we can see a low-key closeup of Liv Ullman or Max von Sydow asking, "Why is this happening to us? Why doesn't it make any sense?" But this is precisely what Bergman avoids. For the first time we can walk out of a film of his with...

Author: By David W. Boorstin, | Title: 'Shame': The New Bergman | 3/14/1969 | See Source »

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