Word: eyeful
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Dates: during 1970-1979
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...liberalizing Second Vatican Council, Alfredo Cardinal Ottaviani was one of the most feared and powerful princes of the Roman Catholic world. His authority as a ranking doctrinal watchdog came from his influence within the Holy Office. Ottaviani was half blind but, the Vatican saying went, "sees more with one eye than most see with two." Armed with a steely mind and consummate dedication, he became in his own word, a "carabiniere" (policeman) of orthodoxy. Even after the windows of the Vatican were finally opened to change, he never ceased to resist innovation. When he died last week of bronchial pneumonia...
Instead their effect seems to have been to clear the air, so that the sexuality of the very young can now be dealt with without the eye rolling formerly considered appropriate to the violation of a taboo. Thus a distortion that falsified whole characterizations has been removed. To see the difference, one need only watch television drama, where the taboo still holds...
...initial problem seemed to be that Thelonious Bernard was very shy with Diane Lane. "It was mostly the language thing," says Hill (Thelo at first spoke almost no English, though he learned fast). To solve the chemistry problem, he says, "I made them hold hands and not break eye contact for ten minutes. Soon they started giggling, then arguing, and then breaking into gales of laughter." Thelo loosened up. And when Olivier was around, "it was almost like having three kids on the set. He'd joke with them, without patronizing them. He always tried to break them...
...coaches who see football as a business and players as equipment, and it squirms with pain from beginning to end. For caricatures, the supporting characters are remarkable--they put a lot into their limited parts. G.D. Spradin as Coach Johnson has a fear-inspiring glimmer in his eye and a loud piercing voice; he's an army sergeant who's made it in the big leagues--the private sector. Jo Bob Priddy, the Baby Huey of the team, exudes a grizzly bear cuddliness and enthusiasm that brings his par out of the sterotype file from which it was lifted...
...there is no denying the opening scene's strong visual impact. Indeed the production generally serves the eye a good deal better than it serves the ear. The play contains a lot of magic and spectacle, handled most ingeniously (and without the 140-man stage crew that Charles Kean needed in 1857). When Miranda is put to sleep, she slumbers levitated a couple of feet above ground. The instantaneous appearance and disappearance of the banquet (borrowed from Book II of Vergil's Aeneid) is truly miraculous, as are the periodic flashes of St. Elmo's fire all over the place...