Word: eyeful
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Dates: during 1970-1979
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...beneath all the boisterousness and the backslapping, business was being conducted under the shrewd, ever watchful eye of Senate Majority Leader Robert Byrd. Schedules were being negotiated, committees assigned, legislation readied...
Most of the legislation on the congressional agenda reflects the members' cost-cutting mood. "Congress has an eye toward fiscal restraint," says Byrd. "In the last Congress we cut appropriations about $15 billion. In the upcoming Congress, we'll see a continuation of that mood." Edmund Muskie, chairman of the Senate Budget Committee, says he is determined to hold the line on spending. He admits that his committee work has modified his views. "I have been educated," he says. "I have become convinced that we've got to be more prudent and restrained and selective...
John Merrick (1863-90) was so monstrously deformed that beside him Caliban might seem shapely. His head had the circumference of a normal man's waist, and the bone structure occluded one eye and twisted his mouth into a slobbering aperture. A spongy cauliflower-shaped mass on the back of his head and other body growths gave off an odious suppuration. His hip was deformed, and he could scarcely walk. Only his left arm and his genitals were unmarred. So grotesque was Merrick's body, in fact, that he was banned from appearing in sideshows, for a time...
John Updike, happily, has gotten out in time. For 20 years Updike and his mellifluous prose have wandered through suburbia, exploring the desiccated guilt and lust of the well-off with a familiar eye. Updike, to be sure, became master of the art, rivalled only by John Cheever, but his recent novels had lost their fire--less compelling, almost tedious, they droned on, as if to say You have read my life so many times before, what more can I say? The painful autobiographical power of Couples petered out to a sense of dry boredom in A Month of Sundays...
...note of intensity to the screen, a doomed majesty from another time. When the Aborigines arrive at Chamberlain's house for dinner, they are beautifully out of place. Dressed in ill-fitting suits, they seem to be a part of Sydney's white world, but as they quietly eye the Steuban Glass, the Merimekko prints and the ancient carved stones--which are now nothing more than sophisticated living-room knick-knacks--one can see the gulf between Australia's past and the clean fragile work of the men who settled the country. Two full-blooded Aborigines--Gulpilil, who was magnificent...