Word: eyeful
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Dates: during 1970-1979
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...Fiumicino Airport in which 34 people died, is under a P.L.O. death sentence for disobeying orders. Last week's series of attacks suggested that the P.L.O. intends to wipe out Abu Nidal and strike back at the Iraqi regime that supports him. "If someone pulls out your eye, pull out both his eyes," said Arafat in authorizing the hit teams. "This is the only language these people will understand...
...government teams that cleared and buried entire acres of plants and even topsoil. Most of the 736 residents who were originally evacuated have been able to return to their homes, but 285 are still locked out of a 215-acre area enclosed by the yellow fence. That inner bulls-eye remains blighted by concentrated "leopard spots" of contamination and continues to defy all attempts at purification. "It may be a wasteland forever-we just don't know what to do," admits a committee member. Even total incineration of the entire area has been rejected for eradicating a poison...
Nearly everything that will qualify the planes to be called a new generation is hidden from view or discernible only by the expert eye. Some of the biggest improvements are in the cockpit. After takeoff, the flight can be fully automated, should the captain so choose. A computer back on the ground in the Airline Command Center will reckon the entire flight plan and feed the instructions for course headings, throttle settings, climbs, descents and the like into three smaller computers aboard the aircraft...
Laura Mars (Faye Dunaway), a punk-chic photographer preoccupied with photographing violent, bloody, and morbid scenes, becomes alarmed when a psychopathic killer begins knocking off her friends by stabbing them in the eye with an ice pick (a rather uninspired and not very subtly executed modus operandi which grates more than it terrifies). Mars has visions of the murders as they are happening and tries frantically to find the killer, using her psychic powers...
...universally accepted as such, although the arguments for this or that aesthetic of photography are as brisk and rancorous as ever. Avidly collected, taught on an industrial scale, buoyed up by reams of historical exegesis and critical debate, photography in America has moved into the public eye, rather as painting did in the 1960s, and no American institution has done more to create this state of affairs than the Museum of Modern Art in New York City, through its photography director, John Szarkowski. MOMA's main summer show is entitled "Mirrors and Windows: American Photography Since...