Word: eyeful
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Dates: during 1980-1989
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Some Administration officials opposed the policy change on the grounds that it helps legitimize the rigid regime of Wojciech Jaruzelski. Supporters of the Administration move argued that the sanctions have only hurt the Polish people. In the end, said a U.S. official, with an eye on the sizable Polish-American vote, the decision was "80% domestic politics...
...since he campaigned four years ago had Reagan worked crowds as physically hard as on last week's three-state swing. Under the watchful eye of his Secret Service guards, he mixed with supporters for long stretches in open-air settings, shaking hundreds of hands, kissing babies, signing countless autographs. At a carnival booth on the grounds of St. Ann's, he delighted onlookers by knocking down a pyramid of mugs with a perfectly aimed pitch, winning a yellow stuffed elephant. Women told him he was handsomer than he looked on television. "Thank you," Reagan replied, "that...
Only hours after Urban's outburst, Reagan explained at a news conference that aides were studying the amnesty "very carefully," with an eye toward lifting sanctions. By week's end the Administration appeared to favor easing some of the most onerous barriers, and the President seemed likely to reveal his position from the Western White House later this week. Relief cannot come too soon for Warsaw: government officials estimate that sanctions have already cost Poland $13 billion...
...someone who knew where I kept my marijuana. That much was demanded by logic ... I realized that as I met my friends on the street in the day or two to come, I would distrust the look in every eye. I was like a man plummeting down a slippery slope who finds a little horn of ice to grasp, but so soon as he embraces it, the projection breaks loose. I saw that if I could not decide the first question, which was: Put it!-Was I the killer?-then I could - not stop the slide...
Instead of monumental stone and steel, the design features banners, bunting and balloons fluttering in the wind, lightweight fantasy structures jutting into the sky, odd-shaped cardboard-and-fabric tents sheltering the crowds. What first strikes the eye is the color scheme created by Deborah Sussman, the graphic designer in charge of all the Olympic imagery. Says Sussman: "The palette consists of unexpected, stimulating juxtapositions that instantly separate the Olympic pageantry from the everyday environment, the drabness of permanent institutions, industries, streets-hot magenta, vermilion and chrome yellow, set off by aqua. They are Mediterranean colors but also suggest Mexican...