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...learn that contemporary history is more about Rob Thomas’s desperate inner-state than you ever realized (“I started crying and I couldn’t stop myself”), and shift nervously in our seats. Rob fixes you with his crazy, crazy eyes??and so you relent to play therapist to his apocalyptic paranoia a tad bit longer. Rob, Lord of Time, then leads you through a quick stock-film montage: Muhammad Ali fights! Feminism rules! Pelé wins! Matchbox Twenty plays! The Wall falls! Finally, Rob sings...

Author: By Elsa S. Kim, CRIMSON STAFF WRITER | Title: POPSCREEN: Matchbox Twenty | 10/12/2007 | See Source »

Although Daniel Radcliffe fans will disagree, “December Boys”—while easy on the eyes??lacks the originality to make it noteworthy. An adaptation of Australian author Michael Noonan’s eponymous text, the film chronicles coming-of-age trials in a familiar light. And while director Ron Hardy gracefully treats the convergence of childhood ideals and adulthood disillusionment, the final package is debilitated by scattered characterization. The movie opens at the chaste, jejune scene of an Australian orphanage home to four self-named December Boys (for their birthdays) linked...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: December Boys | 9/27/2007 | See Source »

It’s hard to make up one’s mind about Bright Eyes?? new album “Cassadaga.” Frontman Conor Oberst writes with an ear for lyrical subtleties, and he just seems so helpless and sweet with that delicate voice of his that it’s hard to hate him. But though this album may be more mature—and country—than previous Bright Eyes records, it’s hard to reconcile Oberst’s explorations of mortality, love, and time with his occasional...

Author: By Juli Min, CONTRIBUTING WRITER | Title: Bright Eyes | 4/20/2007 | See Source »

Sexiest physical trait: Is my name Jimmy “brooding eyes?? O’Keefe...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: scoped! | 3/21/2007 | See Source »

Despite the discordant sense it evoked, “Break the Eyes?? had a technically impressive choreography that was nearly flawlessly executed. Elo manipulated the most classical of movements into provocative, eclectic scenes. Corkscrew leaps and strange coils tested the limits of gravity—and of dancers’ limbs—before the audience...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Fresh Take On Ballet In ‘New Visions’ | 3/4/2007 | See Source »

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