Word: eying
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Dates: during 1960-1969
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...draw the cover, we called on Cartoonist Paul Conrad, who is not much of a racing fan but has a keen eye for political horseflesh. Although this is his first magazine cover, his witty vignettes have often appeared in TIME'S pages. At 42, one of the country's top editorial cartoonists, Conrad has his home base at the Los Angeles Times, but 150 other newspapers use his work, which illustrates Aldous Huxley's observation that caricature is the "most penetrating" of criticism...
Pinkerton's National Detective Agency, the firm that made "private eye" a popular phrase, finally went public last week. Under fourth-generation President Robert A. Pinkerton II, the family-owned firm, which has used "We Never Sleep" as a motto and an unblinking eye as its trademark while running up a record for running down all sorts of criminals, is now a quarry itself-for investors. Pegged at $23 a share when it went on sale, $6,900,000 worth of Pinkerton stock soon sold...
Lincoln's CIA. White tie is a far cry from the original force. Founder Allan Pinkerton, who was Chicago's first police-force detective, went into the private-eye business on his own in 1850. Later he organized a kind of CIA for Abraham Lincoln. Pinkerton unearthed one assassination plot against Lincoln, spirited the President-elect to Washington for his first inaugural by a circuitous rail route that produced a famous telegram: PLUMS [Pinkerton] ARRIVED WITH NUTS [Lincoln] THIS MORNING. Plums and his men acted as Union spies during the Civil War, set up the Secret Service, spent...
...femme. The plot is as old as Gaul, and only a new director would have the gall to tell it again: the sleepy middle-aged husband, the nubile wife, the young stranger (Henri Garcin). But Jean-Paul Rappeneau, 33, has an appetite for the absurd and an unerring eye for casting. An actor in the mugging tradition of Toto and Fernandel, Philippe Noiret is excellent as the pawky, paunchy husband; and Catherine Deneuve, as his restless wife, is as light and tart as a lemon soufflé. They and their fellow farceurs prove that in the right hands the flip...
...memoir is a candid but affectionate obituary of an era in the arts in which foolishness flourished, but which achieved things of great value. John's painting is not much regarded today, but he was an immense character. Seen from close up by Nicolette's appraising eye, he is not as admirable as he appears in his own autobiographical fragment, Chiaroscuro, or as bogus as in Aldous Huxley's satirical portrait of him as "John Bidlake" in Point Counter Point. Nicolette writes well, with a painter's eye for places and faces and a feminine instinct...