Word: eying
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...victims; online, girls rule. Nearly a third of the eighth-grade girls surveyed reported being bullied online in the previous two months, compared with 10% of boys; 17% of the girls said they had bullied online, but only 10% of the boys said they had. Such stats get an eye roll from teens. "Girls make up stuff and sooooooo much drama," Taylor said (by IM, of course). "Drama queens...
...expected to be well-turned-out fashion plates, hair pulled into a tight ponytail, uniform just so. Tans--from a bottle or a tanning salon--are a must. "The girls have to be picture perfect," says Euless cheer sponsor Kelli McDaniel. Monica's mom Daphne Brigham keeps a sharp eye on her daughter at the S.M.U. camp, monitoring her for slips.--and, naturally, finds one. "Didn't we talk about this?" she asks Monica, pulling her aside for a wayward bra strap. "If your top is pink, your bra can't be black or blue!" Monica is dismissive, laughing about...
...Yale University professor known for his gigantic geometrical pieces; near Camerata, Italy. After making his mark in the 1960s and '70s with a series of orderly, stylistic, mural-sized black-and-white works featuring cubes and pyramids that appeared to be floating, he painted dizzying grids and spheres in eye-popping colors. Describing the theme of much of his work, he said: "We're not going to get rid of chaos and complexity . . . But we can find a way to live with them...
...DERELICTLONDON.COM When you're done with the London Eye and Buckingham Palace, turn to Paul Talling's detail-packed blog on obscure pockets of the British capital. He'll take you on a fascinating journey of derelict pubs, World War II bunkers, abandoned buildings, and more. Chances are you won't find any of this information in the guidebooks...
...Yale University professor known for his gigantic geometrical pieces; near Camerata, Italy. After making his mark in the 1960s and '70s with a series of orderly, stylized, mural-size black-and-white works featuring cubes and pyramids that appeared to be floating, he painted dizzying grids and spheres in eye-popping colors. Describing the theme of much of his work, he said, "We're not going to get rid of chaos and complexity ... But we can find a way to live with them...