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...Connecticut General plant, with its module of six feet carried throughout, its sweeping 470-ft. glass façade, cantilevered restaurant, airy, uncolumned work space, four tranquil yet exciting interior courts by Japanese Sculptor Isamu Noguchi, and separate executive block, is Bunshaft's bold merger of his principles with the company's needs...

Author: /time Magazine | Title: Art: BUILDING WITH A FUTURE | 9/16/1957 | See Source »

...over Europe indefatigable optimists were crossing and crisscrossing each other's paths in a brief, determined effort to sniff the green grass growing in somebody else's yard, for, as a sweating porter in Milan's grimy and teeming Central Station put it, "L'estate fa la follia" -Summertime makes for madness...

Author: /time Magazine | Title: EUROPE: The Summertime Madness | 8/19/1957 | See Source »

...used a reduced chorus of two dozen. An interesting comparison was afforded in two settings, a half century apart, of the same text--one, by Vecchi, lyric and smooth; the other, by Arcadelt, more dramatic. The singers displayed excellent precision in Lo Schernito, one of the bright and rapid fa-la-la pieces that Gastoldi made a specialty. There followed an amusing Impromptu, written last year by the talented young composer Kirke Mechem...

Author: NO WRITER ATTRIBUTED | Title: Summer Singers Make Fine Music | 8/14/1957 | See Source »

...great Renaissance square in Paris. Henri IV first had in mind using it as a silk factory to rival Milan, but it later turned into one of the most fashionable addresses in Paris. The square, with its colonnade, is actually a series of joined houses; by royal decree the façades were kept similar. Built of brick and stone, it became a model for Inigo Jones when he came to design Covent Garden, London's first square in the Italian manner...

Author: /time Magazine | Title: Art: EUROPE'S PLAZAS | 8/5/1957 | See Source »

...take one elliptical segment of the oval form that Bernini used for St. Peter's Square, and throw it boldly along the city's outskirts, with an open prospect of unspoiled countryside. Binding together the 30 individual houses was a curtain wall modeled on a Palladian façade with its Ionic columns; behind it, Wood allowed for a variety in depth to the buildings to suit each owner's demands...

Author: /time Magazine | Title: Art: EUROPE'S PLAZAS | 8/5/1957 | See Source »

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