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Word: fabian (lookup in dictionary) (lookup stats)
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...returns to Paris, wonders whether to call Franchise (Frangoise Fabian), who has been waiting for him, and instead goes to her apartment. He hides when he hears someone else coming in −another man. Simon sneaks out. Much of the rest of the film is a reconstruction of how he and Frangoise met and fell in love...

Author: /time Magazine | Title: Cinema: New Year Celebration | 12/24/1973 | See Source »

Lelouch forsakes the giddy sentimentality of A Man and a Woman for a relationship that is full of pride, injury and human compromise. Ventura and the ravishing Mme. Fabian bring dignity and depth to their roles, and Lelouch allows them the time and the latitude to develop their characterizations. The movie ends, memorably, on a close-up of Simon's face as he struggles to understand that Frangoise's insistence on her own needs and identity while he was in prison does not preclude a real and en during love for him. Lelouch never fur nishes more than...

Author: /time Magazine | Title: Cinema: New Year Celebration | 12/24/1973 | See Source »

...life, Wells had embraced and then rejected his literary friends, Henry James, Arnold Bennett; and his socialist friends in the Fabian Society, including George Bernard Shaw. In 1946, after two world wars, he wrote Mind at the End of its Tether. Here Wells finally resolves his classic conflict: The mind, in the evolutionary process, in the creation of visionary socialist societies, could simply not be counted...

Author: By Greg Lawless, | Title: The Evolution of H.G. Wells | 12/14/1973 | See Source »

...Oriented. There is also a flip side to sexual hip. Playgirl, an unprepossessing California production, appeared in May and sold out 600,000 copies; its print run for September (nude centerfold of the month: Singer Fabian) is scheduled to reach...

Author: /time Magazine | Title: The Press: Adentures in the Skin Trade | 7/30/1973 | See Source »

...Nuit Chez Maud. The third and best of Eric Rohmer's moral tales verbalizes much of the Catholic philosophizing that is implicit in La Collectionneuse, Claire's Knee and Chloe in the Afternoon. Jean-Louis Trintagnant's performance is good but overshadowed by Francoise Fabian, the provocative divorced doctor who tempts...

Author: NO WRITER ATTRIBUTED | Title: the screen | 2/22/1973 | See Source »

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