Word: fabric
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Dates: during 1970-1979
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There is also danger in the notion that society can choose what it wants of science and destroy what it feels is valueless or threatening. "Science is indivisible," Lessing states, "a seamless web of accumulated knowledge, and to destroy a part would rip the whole fabric. Every discovery or invention of man has this dual aspect"-a potential for both benefit and harm. He warns that it does no good to try to retreat to an earlier century, and he quotes Konrad Lorenz, the famed naturalist and animal behaviorist, who has been warning hostile student audiences that if they tear...
...trial, Pitkin read the entire Fourteen Point program of the SLF to the jury. The program includes directives to "create revolutionary culture everywhere, fight American imperialism through continual actions that disrupt the business-as-usual fabric of American life, destroy the university unless it serves the people, protect and expand the drug culture." Nothing in the program proved that the defendants were conspiring to destroy federal property or incite a riot, but these four points might very well frighten the jury...
...record cold spell, Manhattan stores and boutiques can barely match supply to demand. Designers like Halston, Adolfo, Sant Angelo and Betsey Johnson are grinding them out for customers from Jackie Onassis, who stocked up on Halston's shorties for yacht wear, to career girls like Celanese Fabric Coordinator Jacquie Nelson, whose bosses last week granted her permission to wear her knit shorts to work. Bloomingdale's department store ran a hot-pants advertisement this month, only to discover that the resulting zoom in sales was partly due to a cross-town rush by Seventh Avenue manufacturers intent...
...started with several hats and "one dress, but a tasteful dress." added sweaters, and within five years had made Maison Chanel a fashion house to reckon with. Coco introduced the tricot sailor frock and the pullover sweater, unearthed wool jersey from its longtime service as underwear fabric and put it to use in soft, clinging dresses. She ushered in gypsy skirts, embroidered silk blouses and accompanying shawls. Even then, Chanel clothes were as high-priced as any Paris couturier's; but only Chanel delighted in having her styles copied -and made accessible at low cost to millions...
...join the cabal of Paris designers who tried to prevent style piracy. "I am not an artist," she insisted. "I want my dresses to go out on the street." Out they went by the thousands, easy to copy, because of the straightforward design, and cheap to produce, because the fabric was standard. Even a copy of a Chanel could claim its cachet. Private customers paid $700 for the original; buyers, intent on knockoffs, paid close...