Word: fabrice
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Dates: during 1970-1979
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...fresh from a personal success on the playing fields of East Hampton, L.I. Invited to join George Plimpton, Peter Mathiessen and Wilfrid Sheed on the writers' team in an annual charity softball game between writers and artists, Poet McCarthy went three for three against strong opposition that included Fabric Designer Boris Kroll and Painters Syd Solomon and Jimmy Ernst. One line drive could have been a home run if McCarthy had not stumbled at first base. His team went down 10-1, but Gene did not finish. When a pinch runner replaced him in the fifth inning, everyone laughed...
...think we in Congress can turn all our attention to America's equally grave economic situation. I'm personally looking forward to working with President Ford on programs that will put people back to work, reduce the cost of living and reverse an inflation that threatens the very fabric of our society," Moakley said...
...Unlike the sad "sack" of the '60s, St. Laurent's Naive Chemise features more elegant tailoring, arm-length sleeves with tightly buttoned cuffs, high necklines and low, mid-calf hems. "For me, the chemise is an expression of freedom," said Libertarian Yves. "I wanted to make the fabric float over and just caress the body in a sensual way." The pathfinder who helped lead women to long pants some six years ago offered some manly trouser suits for evening wear, but it was clear that in Paris at least, pants were approaching the passe. Reported Women...
...trade shows. "It's no trick," he insists. "For example, I link steel rings together at a show to demonstrate how a chemist will link molecules together to make fibers for, say, Du Pont. Sometimes I float my wife in the air to emphasize the lightness of a fabric." Conjurer Milbourne Christopher, historian of the art, has floated a cake of soap in mid-air for Procter & Gamble, and produced a sales manager out of an empty box for American Motors...
...weaving samples, upholstery materials and tapestry pieces of Anni Albers and her students which provide the unexpected delights of this exhibition. The fabric swatches, taken out of context, isolated and framed against white backgrounds, lose their identity as functional objects and become complements to the two-dimensional prints of Josef Albers. The interweaving of threads, the alternation of horizontals and verticals, the contrast between the soft haze of nubbly fibers and the smooth sheen of tightly woven threads become pure formal design. One notices, as one would probably never think to do when looking at a dress or chair cover...