Word: face
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Dates: during 1960-1969
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...human garbage that Peter Lempert is given to play, and, with the exception of a number of scenes where he is just a bit too hysterical, he plays them well. Despite the fact that Dustin Hoffman popularized the role, Lempert's Zoditch is so real, with his thin face, his pointed nose, his beady little eyes, and a body and limbs that curl and twist like those of a man old before his time, that it is virtually impossible to imagine anyone else in the part. What Lempert does best is comedy, and, though Zoditch is pathetic, Lempert makes...
...whenever the two come in direct contact. Koumiko is isolated when she is walking, behind a train window when she looks at the countryside, or present on the soundtrack but absent from the screen. In one sequence, we see Koumiko walking down a street next to a man whose face is obscured by a mirror he is carrying. Koumiko herself is not reflected in the mirror. She repeatedly looks to her right, then turns her head to see the same view in the mirror. As she does so the film switches back and forth between black and white and color...
...RUINED MAP, by Kobo Abe. In this psychological whodunit by one of Japan's best novelists (The Woman in the Dunes, The Face of Another), a detective turns a search for a missing husband into a metaphysical quest for his own identity...
...special emphasis on objects in The Three sisters, which rules out the use of stylized settings. In the huge cavernous space of the Festival theatre, one couldn't just construct the usual box of three walls and a ceiling. William Ritman has solved the problem nicely by having us face the living-room (and dining-room beyond) from the diagonal. And he has carefully included objects that tell us much about the characters of the household--little vases of lilacs or lilies-of-the-valley, framed pictures, an old square piano with a tasseled shawl, candle brackets by the main...
...half. His landlady comes in, takes the dead bird, and saying "no more singing" throws it into a Franklin stove whose open door reveals a brilliant light within. Jannings returns to his breakfast, but between the camera (now further from him) and his head a hanging lamp covers his face, obscuring it and pushing him back...