Word: facedly
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Dates: during 1960-1969
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...exactly the same ritual a year ago to spring Commander Lloyd Bucher and the 81 other surviving Pueblo crewmen. However laudable the end, the routine is disquieting: a nation's word ought not to be solemnly pledged and then disavowed. Yet the technique has the virtue of saving face for both sides, and suggests that the U.S. may be acquiring the sophistication of Oriental civilizations. There may be a touch of this in President Nixon, who combines rhetoric about success in Viet Nam with steady U.S. troop withdrawals...
...Battle. He looks ready. With melancholy eyes and a guileless face only partially coarsened by a Sundance Kid mustache, he is reminiscent of the more or less traditional Hollywood matinee idol. The resemblance ends right there. He rejects the Hollywood scene, and his conversation is a pressagent's nightmare. "Let's face it," he confides with the sort of intensity that adds volumes to every sentence. "If you want to get anything done in Hollywood, you've got to fight. It's just one big battle out there, and I don't need that...
Many custard pies have been thrown in the face of the silent-movie business, but few as sour as The Comic. If its advertisements are to be believed, the movie is simply a fond lampoon of Hollywood's pride-and-pratfall epoch. As the film unreels, it becomes in fact a furious editorial about a business that treats its veterans like overexposed celluloid...
Bomarzo's Orsini combines Gothic deformity with a beautiful, refined face and a graceful pair of Tintoretto hands. Yet it is Orsini's genetic baggage, "the rucksack of my misfortune," that shapes his soul. In his childhood, the hump fostered his father's disdain and his brother's malice. When he was a youth, it caused impotence and self-disgust as Orsini had to view it multiplied in a harlot's mirrored chamber...
...Most comedians rely principally on their tongues, and Lahr's scratchy voice, wobbly warble and gnong, gnong, gnong earned their share of laughs. But his very special gift was a capacity to turn body English into a complete, expressive grammar of feeling. From his bulbous nose and porridge face to his spindly legs, the controlled disarray of Lahr's features and physique could point up ludicrous resonances even in a simple hello. Lyricist Johnny Mercer once wrote Lahr: "This is the first time I've ever seen a performer do my material better than I meant...