Word: facelessly
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Dates: during 1960-1969
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...Faceless Army. Spies in a police state have one almost insuperable advantage over the foreigner: they are already there. At the new U.S. embassy now abuilding in Warsaw, sharp-eyed security men found that Polish technicians had thoughtfully installed 18 bugs, connected them to a single underground conduit deep in the concrete foundations. In any Iron Curtain country except Poland, foreigners must also apply to a government agency for servants and office hands-who invariably work primarily as espionage agents. "Repairmen" can hide bugs faster than they can be tracked down by security officers...
...every intercepted conversation must be recorded, expertly translated, evaluated, transcribed and filed for future use. Organized espionage on such a scale demands a vast, faceless army of snoopers: technicians, "planters," linguists, analysts. State Department security men estimate that, to cover the offices, homes and cars of one medium-sized (30-man) Western mission in a Communist city, up to 300 fulltime eavesdroppers are needed. Moscow has 49 non-Communist embassies...
...commuter on the New York, New Haven & Hartford Railroad is a Kafkaesque character who rides out his days of penance on a train. His pendulous life is governed by back-room fortunetellers who write and rewrite the timetables. His journey is shepherded by faceless men in visored hats who carry metal beetles that chew up tickets and disgorge the microscopic confetti on the vests of the witless passengers. He knows not what his sins are; he just lives in the dim suspicion that at some Last Stop the Great Dispatcher will explain everything. But he never gets there; imprisoned aboard...
Rallying to the cry that property values will plummet, Matt heads a neighborhood group to buy the house and keep it out of the Negro's hands. Success proves bitter. Far from being a faceless figure of dread, the would-be purchaser turns out to be Lamar Winter, a gifted commercial artist and Matt's business teammate and friend for seven years. In a tormented about-face, and with the aid of an equally conscience-stricken Jewish lawyer confederate, Matt secretly sells Lamar the house...
Controlled Chance. The Concerto consisted of three movements, actually written down for the orchestra by different members of the ensemble and "edited" by Foss. The music was rather faceless-tricked out with a full Modern Composer's Kit of dissonances, rhythmic angularities, splashy climaxes. Against this background, Foss and the ensemble worked out their improvisations. It was in the Intermezzo, when the orchestra was silent, that Foss's technique of "controlled chance" came into fullest play. The Foss ensemble was free to improvise -and it did, with some highly interesting results. The instruments traded themes, stitched their...