Word: facelessly
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...museum," notes Victoria Noel-Johnson, project coordinator for the Giorgio and Isa de Chirico Foundation. The living room features several impressive neo-Metaphysical pieces from the 1960s and '70s, including Orpheus the Wearied Troubadour (1970). During this period, De Chirico reworked the haunting depictions of piazzas and faceless troubadours from the canvases of the 1910s and '20s that made him famous. There are also neo-Baroque portraits of De Chirico and his wife, Isabella, in regal 17th century attire, which display his masterly brushwork and ironic eye for melodrama. De Chirico's spirit is strongest in the top-floor painter...
...shiny canvas, two women in red, their bodies cropped from mid-thigh to collarbone. The detail is luminous, close to photographic; each wrinkle in the outfits is executed with finesse, while the bodies of the women are mysterious and elegant. It calls into question the status of the faceless females without making the statement on feminine identity and body image too obvious...
...situates the giggling, flattered girls in front of the faceless red women, snaps a digital picture and smiles. Though his intentions, artistic or otherwise, are unclear, the sincerity of his desire to interact with visitors is part of what makes the ordinarily fickle gallery scene so worthwhile here...
...fact, student Elijah M. Hutchinson ’06 was the only person to discuss AIDS at length. Hutchinson stressed the need to address AIDS patients as individuals, not faceless statistics...
Today, the protections extended to large corporations outweigh those granted to working Americans. Apparently, the freedom of faceless institutions is more important to some than the freedom of individuals. We must ask ourselves which side we are on. And ultimately, we must come to recognize union rights for what they really are: a basic thread running through the fabric of a free society. If employers keep pulling away at it, the rest of our freedoms might just unravel...