Word: faces
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Dates: during 1970-1979
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...vast publicity in 1961 for $2.3 million, is still "the two-million-dollar Rembrandt." It is removed, none too subtly, from all other Rembrandts. In the meantime, the clichés of art appreciation-"masterpiece," "genius," "deep humanity," "quality," "values" and the rest of that fustian-become, in the face of a spiraling market, a dead language, analogous to advertising copy and producing the same kind of knee-jerk reverence in a brutalized culture of unfulfillable desire...
...graduates face a formidable challenge. Churchgoers today are "theologically illiterate," says Lutheran Minister Richard John Neuhaus in Freedom for the Ministry. A lot of things have to be explained rather than taken for granted. (A recent Christianity Today-Gallup survey showed that while 84% of Americans believe the Ten Commandments are still valid, more than half could not even identify five of them.) Preachers have less time in which to do the explaining too. Says Donald Macleod, who has taught homiletics at Princeton for 32 years: "The minds of listeners are geared to TV and the 30-second commercial...
...primitive conditions in his childhood. But though he has a ready supply of down-home anecdotes, he shuns the kind of cornpone and bombast sometimes associated with evangelical pulpits. Pollard commands attention instead with infectious charm and an ingratiating, please-understand urgency, communicated by eyes and face as he leans out over the congregation. Since he finds that laymen always make the same two complaints about sermons (too long, too short on humor), he tries to oblige, honing his Sunday morning sermons to 22 minutes, often putting them on tape cassettes for memorization...
...Ogden Nash or Woody Allen as freely as Crisis Theologian Reinhold Niebuhr. But he offers no easy optimism or simple uplift to his young charges. "Human progress is a foolish myth of epic proportions," Gomes insists. "It is the fantasy of our age and time. Human perseverance in the face of human folly, it is that of which the kingdom of heaven is made...
...Mack Sennett at D.W. Griffith's Biograph studios in New York. Sennett and Mabel Normand carry on their Keystone Kops love affair; Harold Lloyd simulates climbing the side of a building on a facade laid flat on the floor; Fatty Arbuckle takes a blueberry pie in the face; and Buster Keaton gives Charlie Chaplin costume advice for a tramplike character he hopes will make people laugh...