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Mountain climbers are notoriously individualistic and determined folk, and Phillip Stölzl’s “North Face,” which opens this Friday at the Kendall Square Cinema, provides a rare glimpse into their rugged characters. What drives them to do what they do? Or, as the film asks in its opening sequence, “Why would anyone want to climb that?” And yet the irresistible impulse of the mountaineer is to overcome the mountain and to discipline those tempting inner voices that seductively implore the climber to stay below...
...premise is simple: the year is 1936, shortly before the Berlin Winter Olympics. In the spirit of Nazi nationalism, there is a general desire in Germany to prove absolute Germanic superiority in all things, including mountain climbing. In the Alps there remains the stubbornly unconquered Eiger Nordvand (or North Face), the “last problem of the Alps.” The Eiger’s other nicknames include Ogre, or more pertinently, the Death Wall. Inexorably drawn to face their greatest challenge yet. The film’s intrepid heroes are the sprightly, fearless Andi Hinterstoisser (Florian Lukas...
...speaks to the viewer on a visceral level. Its quiet moments are sublime, packed with unspoken emotion as Andi dances across vertical rock walls, Toni looks out at the dark mountains at night with an expression as inscrutable as the mountains themselves, and the piton hammers into the rock face with a defiant chink...
...stimulus—which will reach its peak impact over the summer—and the Obama administration’s impending budget cutbacks add up to “a pretty significant turn towards contractionary policy taking place over the next year or so in the face of a deeply depressed economy...
Although the student members of an environmental action group who camped out in Boston Common last fall will not face charges, it is likely they may be arrested for future protests, one of which they have already planned for this spring...