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Word: facial (lookup in dictionary) (lookup stats)
Dates: during 1900-1909
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Usage:

...Kaltenborn '09, as Nipphard, a sharp-dealing merchant, spoke excellent German, and his acting with voice, gesture and facial expression, was at once delicate and forcible. His scene with Bastelmeier in the second act, and his subsequent soliloquy are the best acted bits in the play. P. N. Crusius '09 as Bastelmeier, a travelling salesman, did a distinct and clever bit of characterization; and he as well as von Kaltenborn was quick at taking up his cues. C. A. Neymann '09 as Dicke, the other travelling salesman, did his part well, and P. M. Piel '10 with his broad...

Author: NO WRITER ATTRIBUTED | Title: DEUTSCHER VEREIN PLAY | 3/15/1907 | See Source »

...Chapeau d'un Horloger," the principal part, that of Amadee, was taken by R. L. Niles '09. By his clever interpretation of the blundersome butler, and by his eloquence of facial expression, he afforded much amusement. He was ably seconded by W. G. Wendell '09, as Rodrigue, G. A. Schneider '09 as Henriette, and the others in the cast...

Author: NO WRITER ATTRIBUTED | Title: PRODUCTION OF FRENCH PLAYS | 12/14/1906 | See Source »

...with a graceful charm and captivating expression. The Machiavelli of A. E. Hutchinson '06, though a difficult part played commendably well, showed less originality than some of the other characters. G. H. Field '06, in the part of "Hazy." or "?," DeTrop's absent minded servant, was in action and facial expression an extremely laughable figure. He spoke his excellent line with an inimitable drawl, and convulsed the audience by his solo "Absent-Minded," R. N. Baldwin '05 sang "The Ghost" and "Guidarello Gidarelli" with ease and snap. His burlesque of the sate ghost was amusing, but not consistent, even...

Author: NO WRITER ATTRIBUTED | Title: H. P. C. PLAY WELL RECEIVED | 5/1/1905 | See Source »

...characters in "Crispin." Of the female characters R. B. Bowler, Jr., '02 was the only one who attempted to modulate his voice to suit the character. Except for a few bad mannerisms, Champollion was very much at ease as "Pontbichet." Dixey's performance of "Colardeau" was excellent for its facial expression...

Author: NO WRITER ATTRIBUTED | Title: Public Performance of Cercle Plays | 12/18/1900 | See Source »

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