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...fast-moving dialogue. At times the audience cannot keep pace with the bouts of verbal jousting because of inadequate into-national nuance. But they more than compensate with their frenetic motion and lively delivery. Broder especially appears more comfortable with physical rather than vocal acting, and his facial and bodily contortions bring the house down. In particular, his protracted death rattle during Munger's meditations on burial has the audience chortling merrily...

Author: By Edward P. Mcbride, | Title: Rosencrantz and Guildenstern Alive and Well | 4/29/1993 | See Source »

Where the suburban Simi Valley jury in the first trial heard prosecutors harp on the videotape, this team meticulously countered defense evidence. On whether King's facial wounds came from police batons, Koon testified, "Mr. King fell like a tree. He made a one-point landing on his face." Dr. Harry Smith of San Antonio, Texas, a leading expert witness, asserted this scenario was impossible. The bones beneath King's right eye were crushed to powder, which required a pressure equivalent to 350 lbs., while his nose, which would have been broken by pressure of about 50 lbs., remained intact...

Author: /time Magazine | Title: Putting Justice in the Dock | 4/19/1993 | See Source »

First, knee-jerk iconoclasm. The habit of a lifetime is hard to break. The very phrase "the President's economic plan" starts the facial nerves twitching into the formation of a cynical sneer. As proposals for reform of everything under the sun come cascading out of the Administration, the first instinct is to assume there is something wrong with each of them...

Author: /time Magazine | Title: Visiting A Place Called Hope | 4/19/1993 | See Source »

...tragedy may be inevitable, but a new MASTERPIECE THEATRE production of Ibsen's classic play (PBS, March 28) is possibly the first to make it seem like a blessed relief. Fiona Shaw's self-absorbed, unsympathetic portrayal makes Hedda ditso from the start: darting, distracted gestures, nervous facial tics and a voice that drops to an inaudible whisper about every third line. Stephen Rea (The Crying Game) is more engaging as the dissolute scholar who once loved her, but Deborah Warner's dark, eccentric production defeats...

Author: /time Magazine | Title: Short Takes: Mar. 29, 1993 | 3/29/1993 | See Source »

James Ruff's energetic portrayal of Lindoro, the heroine's lover, saves was an otherwise anemic role. Of all the leads, ruffs arias are the most consistent, his crescendos gradual and never punched. Aside from needless in his opening aria, Ruff displayed Sunday night a mastery of facial mime and stage presence. His improvisation takes full advantage of the humorous license that Rossini gives his characters...

Author: By Lawrence M. Brown, | Title: Fine Italian Girl in Lowell House | 3/11/1993 | See Source »

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