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...their collective talent and bravura. Brilliantly manipulating a spectrum of emotions from pastoral innocence to manic depression to pulsating sexuality, Streep may very well clinch the third Oscar of her career as the little--lost--activist. Once again, her most appealing characteristic is her chameleon-like control of facial expression. In one of the film's most fleeting but poignant moments (and probably the only one in which Baker's off-the-wall pacing has any effect), Schepisi moves directly from a shot of a glamourous Susan in her artsy Soho 'walk-up to one of her staring...

Author: By Cristina V. Coletta, | Title: Hare's 'Plenty' Promises, But Comes Up Empty | 9/27/1985 | See Source »

...best friends was my mother's oldest brother. Of course he met my mother, and he fell in love with her immediately. She was very beautiful. I look like her. I have my father's eyes but I have my mother's smile and a lot of her facial structure. She was French Canadian but she was born in Bay City. The reason I was born in Bay City is that we were at my grandmother's house. I'm the third oldest child and the oldest girl. There were six of us. Then my mother died and my father...

Author: /time Magazine | Title: Show Business: Now: Madonna on Madonna | 5/27/1985 | See Source »

...body gestures and facial expressions of liars are often out of sync. The person who bangs the table but then waits a split second to produce an angry face is probably faking...

Author: /time Magazine | Title: Behavior: The Fine Art of Catching Liars | 4/22/1985 | See Source »

...Crooked, or asymmetrical, facial expressions are usually deceitful...

Author: /time Magazine | Title: Behavior: The Fine Art of Catching Liars | 4/22/1985 | See Source »

Advanced students of the art of liar catching watch facial muscles closely because some muscle movements are almost impossible for most people to fake. For example, individuals who feel real grief will move the inner corners of their eyebrows upward. Only about 10% of the time, Ekman's experiments show, can people deliberately move this portion of the eyebrows. Another instructive facial slip: the so-called squelched expression, the fleeting appearance of a hidden emotion, followed by a rapid adjustment back to the desired look...

Author: /time Magazine | Title: Behavior: The Fine Art of Catching Liars | 4/22/1985 | See Source »

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