Word: facial
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That is not to say that Osius gives a weak performance: rather it is fine, even strong. He has the facial expressions, the physical prowess, and even all the proper voice modulations. But he just doesn't exude that kinetic force which should make More float on the stage...
Although Henry as a character on stage is rather minor, his tyrannical presence guides all the actions to their tragic conclusion. Gerrit Nicolas captures Henry's physical presence with his rotundity and temperamental facial expressions. But Nicolas doesn't stupefy or terrify the audience as his character does in the play because he's missing the regal conceit that makes a man a true king. And Henry's actions make friends turn into enemies and enemies turn into power-crazed villians...
Addressing his story directly to the audience. Stein maintains a constant high momentum throughout the monologue with ever-changing facial expressions and tones of voice. Until the end, he constantly bemoans his own fate as one "so bright, so young, so handsome." More sedate than the first play. "Capital Crime, Parisian Punishment" balances off the giddiness of the first half of the evening with the pathetic humor of an unjustly condemned...
...East Coast Type A female is no longer interested in such dichotomies. She is interested in cardiovascular improvement, multistriped leotards and having her hands and feet tucked into warm moisturizing mittens at the facial salon...
...world. In the U.S. they afflict about one out of 750 babies. The lip is easily sutured by a plastic surgeon within ten weeks or so of birth, but the gap in the roof of the mouth, usually open clear through to the nose, cannot be closed until the facial bones have grown. This may take a year or more. That period can be trying for both parents and child. First there is the shock of the baby's disfigurement. In addition, affected infants cannot suck normally; they must be fed in an upright position, often with an eyedropper...