Search Details

Word: facial (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Combinations of character might be more accurate, as certain pairs or groups of characters had much more chemistry than others. Flanzraich’s Nick had difficulty being funny by himself, but he was a terrific listener, and a small change in his facial expression could turn one of Melanie’s ostensibly harmless remarks into a great moment. On the other hand, Choi’s Steve rarely modified his beatific gaze when other characters were speaking, which prevented him from contributing as much to scenes as other characters...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Ask Me Anything’ a Fun, Lighthearted Frosh Musical | 4/22/2007 | See Source »

...just spill it right now: Elmore is a jewel. She was impeccable as Undine from delivery to mannerisms to facial expressions: prim and proper and more than a little snooty, but progressively sensitive. She was hysterical (in the sense of both being funny and prone to hysterics), a little hyperbolic, and very aggressive. Elmore won my wholehearted support from the moment that she declared, “My ancestors came to this country shackled,” and refused to accept that everything she had worked for was gone...

Author: By April B. Wang, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Fabulation’ is Magical Experience | 4/15/2007 | See Source »

...duet choreographed by Brenda Divelbliss to a Johnny Cash song, was another example of how “Levity” suffered from a lack of expression or communication. Although James C. Fuller ’10 expertly used his body and facial expressions to converse with his partner, Todorova, as well as with the audience, Todorova wore the same blank expression throughout the piece. This stark difference between the two performers changed the total effect of the piece, overshadowing both the choreography and the dancing...

Author: By Rachel M. Green, CONTRIBUTING WRITER | Title: ARTSMONDAY: Strong ‘Levity’ Weighed Down by Inconsistency | 4/15/2007 | See Source »

...between the two worlds of the viewer and subjects. A woman, sitting in the negative space carved out by the scooter, is visibly uncomfortable with the photograph being taken: her body is tense, and her eyes look off to the side in a startling expression of wild fear. The facial expressions and body language of the figures evoke an unsettling feeling that is not easily forgotten. NOT MUCH THERE Yet, after this piece, the energy of the show dwindles. The photographs are too diverse, with the only tangible connection between them being the artists’ shared ethnicity. It?...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: South Asian Photo Exhibit Ultimately Too Broad | 4/6/2007 | See Source »

...their latest study, Malhi and Lagopoulos used functional magnetic resonance imaging to see what happens in the normalized bipolar brain when subjects are asked to interpret facial expressions-specifically, of fear and disgust. While reading faces is something bipolar patients often feel they're struggling with, the study showed that the 10 patients' interpretations were as accurate and speedy as the 10 controls'. Crucially, however, their method of processing was different...

Author: /time Magazine | Title: Light in the Dark | 3/29/2007 | See Source »

Previous | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | Next