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Word: facials (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Bluestone claims, are peripheral elements; the picture dominates. Even if dialogue is accepted as an external expression of thought, once spoken it is no longer a thought. The film must compensate for this by having a very graphic plot and by nuances of acting, particularly "microphysiognomy" or intricacies of facial expression...

Author: By Gerald E. Bunker, | Title: Novel into Film: A Critical Study | 11/6/1957 | See Source »

Where there's tyranny, there's tyranny, not only in the gun barrel, not only in the prison cell, not only in the torture rooms . . . There is tyranny in the facial expression firmly set like iron bars, and in the stillborn tormented cry of pain within these bars...

Author: /time Magazine | Title: HUNGARY: Behind the Bars | 11/4/1957 | See Source »

...line attempts to become, the more it appears as the slave of an unconquered medium. Caught between an oddly Germanic type of flowing grace and a more indigenous forcefulness of expression, the product is unresolved. At times, especially in the matter of such problems as the portrayal of facial expressions, Marcks' drawing becomes trivial, often being nothing short of silly. Ironically enough, this brings to mind Maillol's observation that "grimaces come too easily...

Author: By Paul W. Schwartz, | Title: Quartet | 10/30/1957 | See Source »

...before, Author Sagan, 22, is principally preoccupied with sex. But where in her earlier books sex was at least intermittently pleasant, it now seems to have become a wearisome compulsion to be borne like kleptomania or a facial tic. And where characters used to get involved with each other in reasonably manageable triangles and quadrangles, in this book Author Sagan's sexual geometry clearly has got out of hand. The pack of people who meet at the home of Alain Maligrasse, an editor in a Paris publishing firm, have one common denominator: they are in love with people...

Author: /time Magazine | Title: Books: Hello, Emptiness! | 10/28/1957 | See Source »

...James MacArthur '60, does much more in his first picture than give a hint of a promise which may develop in the future. He turns in a mature, sharply delineated performance which demonstrates his intelligence as an observer as well as his technical ability as an actor. Every facial expression and nearly every intonation of voice is appropriate to a boy who is struggling to understand his parents and to be understood...

Author: By Thomas K. Schwabacher, | Title: The Young Stranger | 10/26/1957 | See Source »

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