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Word: facials (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...good as any master's course." In a swing that spotted the nation from Portland, Me., and Charleston, W. Va., to Grand Rapids and the West Coast, Shriver's routine never varied: he would come down the ramp of his chartered 727 wearing facial expression No. 1, a closemouthed, eye-twinkly look of expectation. Then, as he greeted the local Democratic leaders, he would go to expression No. 2, the Shriver grin-jutting out the lower jaw and squinting his left eye, for a conspiratorial Commander Whitehead effect. Sometimes he would shake the same hand two, three times...

Author: /time Magazine | Title: The Nation: Shriver Unchained | 9/18/1972 | See Source »

...acting in this film is marvelous, particularly Innokenty Smoktunosky's Vanya. His petulant spats with his maman, his grandiose pretensions, his weepy self-pity; the sarcastic facial expressions alone are phenomenal. Sergei Bondarchuk, as Dr. Astrov, is a bit too much the Russian bear for my taste. Astrov's passions are too often expressed by the tremor of voice and moistness of eye that Omar Sharif made infamous in Dr. Zhivago. But he can be subtle when necessary as in his scenes with Sonya, in which he delicately and deftly refuses her offer of love...

Author: By Barbara A. Slavin, | Title: A Surprising Soviet Chekhov | 8/4/1972 | See Source »

...fulfilled by his own sculpture. There is scarcely one of his works that does not suffer in some measure from the tension between Lehmbruck's large desires and his extreme sensitivity, which resulted in a frequent indecision about surface modeling as well as a troublesome theatricality of facial expression and gesture. It is as though the psychological burden of being a 20th century man militated against the possibility of a grand-scale art based on the human figure-which, in fact, it does...

Author: /time Magazine | Title: Art: A Haunted Man | 7/31/1972 | See Source »

...formality of traditional Japanese etiquette. No one says hello or bids good-bye, pays a compliment or enters a room, without bowing politely to show respect, or even deep affection. These motions raise the most ordinary pastimes to a kind of cherished ritual. The langorous physical actions and static facial expressions actually serve to heighten one's awareness of constant tension. For even at the most peaceful moments, fans tremble incessantly in the hands of the actors, attempting to dispell what must be the sweltering heat of summer, and to relieve the friction of increasingly jangled nerves...

Author: By Celia B. Betsky, | Title: The Coming of Age in Tokyo | 7/28/1972 | See Source »

Although I longed for the genuine Edward Bear to step forward and come alive from Shepard's drawings, Lisa Conley, who played Winnie, did not let me be too disappointed. Her facial expressions were charmingly Poohish to a great degree, and her snores were unmistakably from the bear himself. Eeyore, the old grey donkey, played by Divinna Snyder, was also portrayed convincingly. She spoke her lines with the exact tone of lovable melancholy that Milne gave to the original Eeyore...

Author: By Martha Stewart, | Title: A Musical Milne | 7/21/1972 | See Source »

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