Word: facials
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Dates: during 2000-2009
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...flaunt his success with a high-profile lifestyle, buying his friends new houses, booze, jewelry, and, of course, the movie’s namesake: Cadillacs. Complementary to Brody is Jeffrey Wright as the womanizing, ruthless, and somehow lovable Muddy Waters. Although it appears that Wright is mimicking the jowly facial expressions of Brando’s Don Corleone a little too closely, his believable performance shows his range as an actor—something his meager part in the recent “Quantum of Solace” did not. Together, Chess and Waters—along with songwriter Willie...
...same time, true to its original stage play format, “Frost/Nixon” is a film driven by its acting and directing. At key moments, the soundtrack simply stops, and the performers are left alone before the audience. Langella and Sheen often accomplish with one facial tick what most actors fail to do with their entire bodies. Riveting to behold, “Frost/Nixon” is a wonderful exercise in toned-down storytelling that’s uncharacteristic of ratcheted-up Hollywood. We are reminded in the interview scenes that one does not need...
...Physically, Han Chinese, the majority population in China, look little like Uyghurs. Uyghurs’ skin color is more tan and eye and hair color more varied, with facial structures more stereotypically Western. Because of such physical differences, Uyghurs are often asked to infiltrate on behalf of the Chinese government “because the Chinese cannot,” Beydulla said...
...there is a class for every yogi: for children, the elderly, the overweight, the spiritual. There are contemplative, patchouli-scented yoga centers, austere Iyengar centers for the very serious, and flow classes in gyms for women in chic yoga clothes who just want arm tone. (See pictures of facial yoga...
...Dali’s surrealist portfolio. But the transitions between McCusker’s creative motifs seemed unsteady at times, as the dancers’ changes in character seemed to lag during these moments. The occasional shaky turns and a lighting scheme that sometimes masked the dancers’ facial expressions did little to detract from the overall performance, which ended with a rhapsodic chorus of movement.The lingering radiant mood “Braid” created immediately dissipated as performers took their positions for “Von,” choreographed by faculty member Jim Viera. The dramatic...