Word: facials
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Dates: during 2000-2009
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...Biocchi ’08 and John D. Kapusta ’09, and Fiordiligi and Ferrando, portrayed by Cavallaro and Noah Van Niel ’08 respectively. In Saturday night’s performance, Cavallaro overcame her illness to deliver a strong performance with her emotive facial expressions. Kapusta enhances the humor written into each of his scenes by masterfully contorting his countenance—which drew repeated laughs from the nearly sold-out crowd. All the actors on stage use the natural chemistry between them to enliven the material and make Mozart’s 18th century...
...high school nerd raps about bananas and pom poms. In the future this video depicts, microphones not only fly but evidently can be swallowed and regurgitated, as Chris Brown demonstrates (note the phallic imagery here). Other highlights include spasmodic dancing, Chris Brown’s horrendous facial tics, and a holographic mixing board/control panel which T-Pain masterfully coordinates. T-Pain explains, in some futuristic algebra lingo in the beginning of “Shawty Get Loose,” that “Greatness plus greatness equals great greatness.” But if this “great...
...Biocchi ’08 and John D. Kapusta ’09, and Fiordiligi and Ferrando, portrayed by Cavallaro and Noah Van Niel ’08 respectively. In Saturday night’s performance, Cavallaro overcame her illness to deliver a strong performance with her emotive facial expressions. Kapusta enhances the humor written into each of his scenes by masterfully contorting his countenance—which drew repeated laughs from the nearly sold-out crowd. All the actors on stage use the natural chemistry between them to enliven the material and make Mozart’s 18th century...
Cost of a proposed FBI computer database that will identify criminals and terrorists by using biometric information like palm prints, scars, tattoos, iris patterns and facial shapes...
...said to be embodied within the dolls. Ducharme says he chose to focus primarily on the katsinas’ masks, or faces, because the Hopi themselves concentrated their efforts largely on the details of the dolls’ heads. A doll can represent a katsina spirit simply through its facial features; at times an artist will choose to draw rather than carve the body. Ducharme also says that he emphasized the colors used to paint the dolls’ masks because they are symbolic in Hopi art: the Hopi use six colors to denote direction or the region from which...