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...uncomfortable. For some reason Melissa Gibson's Deedee-as-ghost ran laps around the stage while nastily berating poor Jane. Why was she berating her? Aaron Mathes seemed to have difficulty with Tarilc While he was appealing (mostly for lack of any positive male characters), his mood changes and facial expressions were awkward as well as unexplained. Santiago Tapia delivered Samir's lines unsure of appropriate emphasis. He did not seem comfortable moving around the stage. As the purely evil Nader, Andrew Pitcher was more believable, but he also could not stand still...

Author: By Theodore K. Gideonse, | Title: 'Arabian' Shows Promise Amid Chaos | 12/7/1995 | See Source »

...Dutch research is part of a growing body of evidence suggesting that nature is just as important as nurture in determining how we think and behave as sexual beings. Neurobiologists have cataloged apparent differences in the way men's and women's brains process information and interpret facial expressions. Geneticists have begun sifting through tantalizing clues that sexual orientation--as opposed to sexual identity--may at least be partly inherited (see box). Yet the subject matter is so charged from an emotional, political and even religious perspective that evaluating all the various claims dispassionately can be very difficult...

Author: /time Magazine | Title: TRAPPED IN THE BODY OF A MAN? | 11/13/1995 | See Source »

Former Harvard Dining Services employee Michael B. Garcia '97 worked in the dish room his first year at Harvard and said he disagrees with the facial hair prohibition...

Author: By James L. Chen, | Title: Employee Dress Code Under Fire | 10/17/1995 | See Source »

Among undergraduates, Wylie was known in part for incorporating body language into his lessons, moving beyond the grammar and syntax of spoken French to include gestures and facial expressions...

Author: NO WRITER ATTRIBUTED | Title: Former K-School Dean, Law Prof., Fogg Director, Scholar Pass Away | 9/13/1995 | See Source »

...King-Smith's children's story, on which the movie is based, nearly a decade ago. Co-writer and director Chris Noonan worked six years to bring it to the screen. The $25 million production seamlessly blends computer-graphic images (mostly of the creatures talking), animatronic doubles (for the facial expressions real creatures couldn't do) and live action supplied by 800 oinking, barking, baaing animals. "It had the logistical difficulty of a big action movie," says Miller, who claims his intimately scaled film is the biggest, most complicated Australian production ever...

Author: /time Magazine | Title: CINEMA: BABE: WITH AN OINK, OINK HERE | 8/21/1995 | See Source »

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