Word: facials
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...Inaugural stand could have been tense. The Bushes and the Quayles were on the high ground, surrounded by the victors, every facial tic and gesture being beamed around the world. Bush searched for friends. The Joint Chiefs of Staff, such stalwarts through the Persian Gulf and now in Somalia and Iraq, were nearby, and he leaned far over to shake hands. Suddenly, from behind them, came the face and hand of Admiral William Crowe, the former Chairman, who had made a splashy stand for Clinton during the campaign. Warm shake. Nice words. Hostilities contained...
...running the show. Dressed in a baggy white sweatshirt, sweatpants and sneakers -- her 5-ft. 2-in. frame dominated by a mass of wild, curly hair -- she circles the shop floor issuing compliments and critiques while staffers bustle to keep up. "Brilliant!" she pronounces a display of facial creams. "Fantastic!" for a pyramid of hair conditioner. But a tray of hair clips is "Tacky! Get rid of those." Later she sweeps into a meeting of store managers. "Right!" she barks to them. "What pisses...
...stage in Las Vegas the flamboyant Hawkins unveiled what he calls his Interactive Multiplayer. On a mammoth projection screen, the machine had spheres bouncing, rectangles spinning and facial images twisting in full motion, while Hawkins explained that it is a VCR, slide projector, king-size Game Boy machine, CD-interactive box and laser disc video player all wrapped into one package. Hawkins says there are Multiplayer applications on the drawing board that can turn the television set into a magic monitor straight out of a Star Trek episode. Suppose you turn on L.A. Law late, and you want to know...
David Javerbaum's remarkably flexible facial expressions give a special touch of hilarity to his performance as the love-stricken boy composer Adam Adam. The character is a sweetly doleful soul, but with a volatility that Javerbaum never quite conveys. This odd harmony of personalities is rounded out with an even-handed performance by Chris Scully as Alex Gal, Turai's very American collaborator...
...cast falls into line with the director's narrow vision of the work. As a group they lack depth. The play begins with a scene between the father James Tyrone (Jack Aranson) and the mother Mary Cavan Tyrone (Patricia Conolly). The actors' forced voices and exaggerated facial expressions at first mislead the audience into thinking that they are watching a high-society comedy or drama instead of anything resembling O'Neill...