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...while, as the parents, girlfriends and ancient oarsmen stood expectantly on the sidelines, it looked as if Harvard Coach Harry Parker might call the whole thing off. Twice he ventured off the Red Top floating dock, causing nervous spectators to squint into the sun to decipher his inscrutable facial expression. The word passed from one knot of people to the next...

Author: By Cristina V. Coletta, | Title: Harvard-Yale: The Last Race | 6/10/1987 | See Source »

Almost the entire acting burden falls on the shoulders of Oleson, who carries the whole show Oleson displays an amazing sense of comic timing as well as an irresistible variety of goofy facial expressions. But Oleson's tour-de-force performance really takes off in the serious parts. He manages to make Arnolphe's psychosis accessible to the audience, creating sympathy and pulling off these serious scenes with a skill Robin and Jeff Rossman (who plays Horace, Agnes' lover) lack...

Author: By Michael D. Shin, | Title: The School for Wives | 5/1/1987 | See Source »

...important than the machinations of the plot, and performances that would be workmanlike or routine elsewhere are sufficient here. What these actors lack in characterization, they make up for in physical comedy, not only in the histrionic gesticulations and cartoonish violence, but also in minute details, such as droll facial expressions. Orin Percus, as the sly, playful Duke Solinus, and Everett, as the witty Syracusan Dromio, deserve special mention...

Author: By Gary L. Susman, | Title: Comedy of Errors | 4/24/1987 | See Source »

...success of Swimming to Cambodia is Gray. His rapid-fire speech, expressive voice and fantastic facial expressions successfully convey his incredulity at the world around him. And the interplay among Gray's script, five short clips from The Killing Fields, and Laurie Anderson's music make the film a wonderful journey through the mind of a comic who is horrified by his world. The bombing of Cambodia is a stark example of what is wrong with his country, but his sarcastic self-deprecations and caricatures of others express his dismay at his society in general...

Author: By Jennifer M. Oconnor, | Title: Diving off the Deep End | 4/11/1987 | See Source »

...this basically sound production, the most apparent flaw is with the character of Tracy. Some of this might be attributable to a slow start on opening night, for Halper did seem to improves as the play wore on. But Halper's performance consistently lacked vocal or facial life and expression. Because Tracy Lord is the central character of the play, this partially flawed performance casts a shadow over the entire production...

Author: By Thomas M. Doyle, | Title: The Philadelphia Story | 4/10/1987 | See Source »

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