Search Details

Word: facials (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...good as any master's course." In a swing that spotted the nation from Portland, Me., and Charleston, W. Va., to Grand Rapids and the West Coast, Shriver's routine never varied: he would come down the ramp of his chartered 727 wearing facial expression No. 1, a closemouthed, eye-twinkly look of expectation. Then, as he greeted the local Democratic leaders, he would go to expression No. 2, the Shriver grin-jutting out the lower jaw and squinting his left eye, for a conspiratorial Commander Whitehead effect. Sometimes he would shake the same hand two, three times...

Author: /time Magazine | Title: The Nation: Shriver Unchained | 9/18/1972 | See Source »

Olga Laaland, a native of Guadeloupe, credits Dr. Ng with relieving facial paralysis and enabling him to close his eyes properly for the first time in five years. A few, citing Dr. Ng's low fees ($10 a visit regardless of complaint or treatment), believe that organized medicine is behind the state action...

Author: /time Magazine | Title: Medicine: Acupuncture Crackdown | 9/18/1972 | See Source »

...acting in this film is marvelous, particularly Innokenty Smoktunosky's Vanya. His petulant spats with his maman, his grandiose pretensions, his weepy self-pity; the sarcastic facial expressions alone are phenomenal. Sergei Bondarchuk, as Dr. Astrov, is a bit too much the Russian bear for my taste. Astrov's passions are too often expressed by the tremor of voice and moistness of eye that Omar Sharif made infamous in Dr. Zhivago. But he can be subtle when necessary as in his scenes with Sonya, in which he delicately and deftly refuses her offer of love...

Author: By Barbara A. Slavin, | Title: A Surprising Soviet Chekhov | 8/4/1972 | See Source »

...fulfilled by his own sculpture. There is scarcely one of his works that does not suffer in some measure from the tension between Lehmbruck's large desires and his extreme sensitivity, which resulted in a frequent indecision about surface modeling as well as a troublesome theatricality of facial expression and gesture. It is as though the psychological burden of being a 20th century man militated against the possibility of a grand-scale art based on the human figure-which, in fact, it does...

Author: /time Magazine | Title: Art: A Haunted Man | 7/31/1972 | See Source »

...formality of traditional Japanese etiquette. No one says hello or bids good-bye, pays a compliment or enters a room, without bowing politely to show respect, or even deep affection. These motions raise the most ordinary pastimes to a kind of cherished ritual. The langorous physical actions and static facial expressions actually serve to heighten one's awareness of constant tension. For even at the most peaceful moments, fans tremble incessantly in the hands of the actors, attempting to dispell what must be the sweltering heat of summer, and to relieve the friction of increasingly jangled nerves...

Author: By Celia B. Betsky, | Title: The Coming of Age in Tokyo | 7/28/1972 | See Source »

Previous | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | 222 | 223 | 224 | 225 | 226 | 227 | Next