Search Details

Word: facials (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...identical white sheep with one black sheep at the head of the flock. Cost of the Common's display-known to cynical Bostonians as "Christorama"-is a relatively small $32,500, most of it donated by local merchants, banks and insurance companies. Since the Common got its Christmas facial, stores' sales have increased by 2% annually, last year jumped by 5%. Savs Paul Hines, head of the festival committee: "It's almost as if the Almighty is blessing our efforts to glorify...

Author: /time Magazine | Title: Customs: The Great Festival | 12/10/1965 | See Source »

Jamie Rosenthal, as Rosie, was consistently entertaining. I was especially impressed by her facial expression during Randall's mock trial of Glas. While the other two were going through a grotesque ritual, I found myself watching Rosie's bewilderment...

Author: By Thomas C. Horne, | Title: Slow Dance on the Killing Ground | 11/22/1965 | See Source »

...remedy this would have been to have Miss Akers play Lucille a lot less insufferably. A truly ingenuous moralist might have balanced the play. But Miss Akers' performance stressed Lucille's most annoying traits. Her facial expressions ranged from arrogance to headache...

Author: By Harrison Young, | Title: Duel of Angels | 10/29/1965 | See Source »

...rather unconvincing as the son; part of the trouble may be that he just doesn't look like a small boy. Margaret Manners might have redeemed the show if she'd had a bigger part. She appeared about three times, and had no lines, but her movement and her facial expressions said more than all the others' ranting and histrionics. True, the actors didn't have a great deal of substance to work with. There's limit to how many different ways you can vent your frustrations with life on "the rain." But I think that more understanding...

Author: By Maxine S. Paisner, | Title: Three One-Act Plays | 8/2/1965 | See Source »

...insulted at the content matter (the lecherous priest who is having an affair with his parishioner's wife) can find good excuse, but if you view the play solely for amusement, it's quite enjoyable. Innes McDade, as Tyb, was good on the whole, but rather tedious. Her facial expressions tended to be too artificial, falling into set patterns for each emotion she wanted to convey, and Johan's artful interplay with the audience lost its easy intimacy and became rather forced when she attempted to employ it. Jack Salomon, as the priest, was more natural and consequently funnier...

Author: By Maxine S. Paisner, | Title: Three One-Act Plays | 8/2/1965 | See Source »

Previous | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | Next