Word: facials
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...pictures of facial yoga...
...this is to say that the movie is good, but it’s not the book. Martin Freeman (Tim from the original version of “The Office”) is the perfect casting choice for the character of Arthur Dent. His versatile facial features and weary body language perfectly embody the consistently cowardly and exasperated Englishman who really only wants a cup of tea but ends up finding love and playing a major role in the Universe’s political affairs. Alan Rickman (“Dogma”) supplies the perfect tone of voice...
...first glance, Nick himself may not seem the “stripper” type. His brown facial scruff, thick-rimmed glasses, and pensive nature better suggest philosophy than Chippendale’s. Yet as far back as he can remember, Nick has relished baring it all. “I don’t know how my parents screwed me up, but my youngest memories are mainly just being completely naked,” Nick says...
...boundary between the old and new cinematic forms, however you define them, is the face. The human face will never disappear from cinema. It is this prioritizing of the facial that may keep cinema as we know it alive...
Because, despite his traipsing about with Demi Moore to Kabbalah Temples, and pulling horrible, ill-conceived tricks on celebrities, Ashton Kutcher is a nerdy romantic. He hulks awkwardly. His facial expressions are spastic and he looks positively lumpish on screen. Amanda Peet looks embarrassed most of the time she is on screen with him—and she’s had to work with Mathew Perry (twice!). And, unfortunately, “A Lot Like Love” has a screen play riddled with so many clichés that it desperately needs all consuming chemistry from its leads...