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Word: facing (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

Saturday's victory and a 6-2 triumph over the Bruins Friday gave Harvard a quarterfinal sweep and advanced it to the conference semifinals in the Boston Garden Friday. The top-seeded Crimson (24-4) will face seventh-seeded RPI (12-17-1) at 9 p.m. after third-seeded St. Lawrence (23-8) battles fourth-seeded Yale (15-11-2) in the first semifinal...

Author: By Nick Wurf, | Title: Icemen Defeat Brown, 5-2; RPI Next | 3/9/1987 | See Source »

...parallels to last season are striking. Inboth campaigns, the top seeded Crimson will haveentered the semis after coming of two homevictories in the quarterfinals. Again, Harvardwill face an opponent who gave it fits earlier inthe season...

Author: By Adam J. Epstein, | Title: Icemen Skate Over Bruins, 5-2 | 3/9/1987 | See Source »

...stylist, fledgling actor and art student in America. The ageless child of media fame who made scores of underground films in which often nothing happened (Empire offered eight hours of staring at the Empire State Building) and who published his own magazine, Interview. Andy, the living transparency, with his face pressed to the shop window of the American dream and his head full of schemes to titillate an aging, youth-obsessed American culture...

Author: /time Magazine | Title: Art: A Caterer of Repetition and Glut: Andy Warhol: 1928-1987 | 3/9/1987 | See Source »

...popular fame such as no other American artist had ever known in his or her lifetime -- a flash-card recognizability that almost rivaled Picasso's. Millions of Americans who could not have picked Jasper Johns or Henri Matisse from a police lineup could identify that pale, squarish, loose-lipped face with its acne, blinking gaze and silvery...

Author: /time Magazine | Title: Art: A Caterer of Repetition and Glut: Andy Warhol: 1928-1987 | 3/9/1987 | See Source »

...frame. He favored a flash at long exposure, for its jittery harshness. He also went in for blurred images: smudged bodies in motion, heads so close to the lens that they dissolve into gaseous globes. The archetypal Klein photo is Minigang, Amsterdam Avenue, 1954. A boy with his face screwed into a fury pokes a blurry gun straight at the camera, while a young friend at his arm questions the act with his eyes. In the brief catalog that accompanies the San Diego show, Curator Arthur Ollman reads this image as a metaphor for Klein the photographer: "The aggressor...

Author: /time Magazine | Title: Photography: Come On, Baby, Do the Locomotion | 3/9/1987 | See Source »

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