Word: factly
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Dates: during 1930-1939
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...nice of you to give all that publicity to our Exposition, but we who happen to live in downtown hotels will certainly have reason to bless you when tourists roam our neighborhood all night looking for trouble ! As a matter of fact, the neighborhood you have libeled is like any other downtown dis trict in a large city- it has plenty of bar rooms, gambling houses and houses of assigna tion. But it also includes a dozen quite respectable hotels, the Glide Memorial Church (Southern Methodist), the B'nai Brith Hall, the very newest and swankiest dance-spot...
Naturally this shift was not accomplished without strife in the Army. No secret in Washington is the fact that ever since able little Oscar Westover crashed to his death last year (TIME, Oct. 3), his successor has had to wage a friendly struggle with Chief of Staff Malin Craig...
...wholesale by minor studios to fill in the second half of double bills in U. S. rural theatres, are not good enough for grownups. Nonetheless, its scenery, its legends and its way of life make the U. S. Far West ideal cinematerial. Last week cinemaddicts were reminded of this fact by the release of two new "Westerns" which, made with high-grade casts and traditional respect for their subject, were each, in different ways, notable...
...Freedom Ring offers a story of the sort which has always been traditional for all Westerns. The stirrings of Hollywood's social consciousness are indicated by the fact that the villain whom the hero (Nelson Eddy) routs is not a cattle rustler nor a bandit but a rapacious railroad owner (Edward Arnold), who is trying to hornswoggle sturdy ranchers out of their land. Thus, while conforming to type, with a full quota of fist fights, shootings, holdups and spectacular conflagrations, Let Freedom Ring reaches its climax when Eddy delivers a rousing speech which convinces railroad workers that they...
Notable among the primitives at Worcester was Memling's Martyrdom of St. Sebastian, from Brussels; among the 17th-Century paintings, Rubens' Holy Family Beneath the Apple Tree, also from Brussels. Principal weakness of the exhibition in the eyes of modern students was the fact that it included only two pictures by Pieter Breughel the Elder, the dominant Flemish genius of the 16th Century. At time when the guilds were breaking up and Italian Renaissance influence wa; breaking in, Breughel painted mischievous magnificent scenes of everyday Flemish life. The Worcester exhibition left U. S students still obliged...