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Word: factualism (lookup in dictionary) (lookup stats)
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...course is not designed for consciousness--raising," Kahne said. "It will not be an encounter group, nor a cookbook course on life--styles. This is a time when institutions are in flux, and we hope to examine within a factual framework the present value system and the dynamics of those decisions which women pursuing the professions reach...

Author: By Helen Hershkoff, | Title: From the Back of the Class... | 9/20/1971 | See Source »

...greatest challenge, however, remains the analysis of a film which emerges from factual experience and, in the way it is molded, reveals important social and aesthetic prejudices of which the filmmakers themselves may not have been aware. Joel Haycock '71, while reviewing Gimme Shelter, speaks not only of a film but of the culture it is drawn from and the systems which support...

Author: By Michael Sragow, | Title: Politics and Films for Beginners | 6/17/1971 | See Source »

...cautious manner, however, is still evident. He continued, "It's difficult to inform oneself adequately on the wide range of public issues. One isn't going to be listened to for very long, if at all, unless he speaks with authority, from factual knowledge...

Author: By Robert Decherd, | Title: The Changing of the Guard... | 6/17/1971 | See Source »

Katzenbach. Turner's superior who was singled out by the Green report, has been equally critical of it. He has condemned the report for massive factual inaccuracy, and has stated, according to Green, that "he knows a lot more about antitrust law than any kid one year out of Harvard...

Author: By Julia T. Reed, | Title: Nader Attacks Monopolies, Criticizes Harvard Jurist | 6/7/1971 | See Source »

...make sense" out of his life by collecting private everyday images (and sounds) which, we discover in the final credits, are really just made-up banalities (as opposed to "real" banalities), scripted, acted, shot, and directed by Jim McBride and several other people. Available Light, by contrast, reiterates the factual relativism of every image, explicitly calling attention to the manipulative process going on, forcing us to constantly redefine our relation to the screen. Are events staged or accidental? Scripted or "real life"? And how significant is the difference, given that we see them as celluloid anyway, slowed down...

Author: By Jim Crawford, | Title: Film Available Light At Carpenter Center tonight and Saturday at 8:30 p. m. | 5/28/1971 | See Source »

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