Word: factually
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Dates: during 1980-1989
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...allegories. But it is hard to see their contrasts of image -- an Indian paintbrush or a wild daisy put against the bleached bone of a ram's skull, and that bone repeating the ancient permanence of mountain line -- without grasping that some transaction beyond the simply formal or factual is afoot. This is particularly true with her flower paintings: magnified closeups, filling the whole surface, of a black iris, a jack-in-the-pulpit, or a calla lily. Almost from the moment that they were first exhibited at Stieglitz's gallery in the mid-'20s, these were interpreted as sexually...
...mysterious brown balloons. It was odd to find any painting in such a show that addressed itself--however obliquely or eccentrically--to nature. But its relation to nature did not look simple. The painting was no botanical illustration. It was full of pictorial feeling and seemed only part factual, with the studied ineloquence, the refusal to grab a viewer's lapels, that one gets in Jasper Johns or Cy Twombly. Its drawing was casual, but intelligently so. It used botany obscurely, for some ulterior end--but what? And did it look better than it was for being surrounded by trash...
...that our Corporate Reporter addresses "the perceived lack of morality of some companies' business practices." This statement is both inaccorate and detrimental to our group's cause. In the introduction to our booklet, which Mr. Schwartz was given, we clearly express that we include in our reports only objective, factual information. Nowhere in our booklet are any perceptions, interpretations, opinions or value judgements of any member of the group...
...does PLAP decide which problems to litigate? Gideons says that cases which raise important issues such as the First Amendment and which don't involve complex factual matters are best. That's because one difficulty in talking with inmates is telling fact from fiction, says Katherine Kennedy '82, a third-year student who has been interested in prison work since she tutored at MCI-Deer Island as an undergraduate. Kennedy emphasizes the importance of weeding out the facts of the case throughout the entire process...
...ways. The film's viewpoint is not the writer's, who in effect saw her subject from the air. The camera is firmly on the ground, looking for close-ups. The movie's manner is not the author's either. It is concerned with restoring what she left out: factual (as opposed to spiritual) biography of a conventional kind, drawn from Thurman's book, a study of Finch Hatton's life and Dinesen's letters, which are altogether more open than her book. Where the documents fail him, Screenwriter Luedtke improvises plausible fictions to fill the dramatic gaps...