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Once new jocks are hired, they are drilled for a couple of months in the Drake style. The big idea is to unclutter and speed up the pace. The next recording is introduced during the fadeout of the last one. Singing station identifications, which sometimes run at oratorio length elsewhere, are chopped to H seconds on Drake stations. Commercials are reduced to 13 minutes, 40 seconds an hour-about one-third less than the U.S. average. Newscasts are scheduled at unconventional times, such as 20 minutes after the hour. Thus, when the competition is carrying news, Drake-trained deejays...

Author: /time Magazine | Title: Programming: The Executioner | 8/23/1968 | See Source »

...into by mistake. To disarm audiences-and possibly critics-she sometimes refers to herself as the Constant Virgin, a sobriquet Doris has actually earned in half a dozen previous films, pursued by the likes of Gary Grant and Rock Hudson but remaining a freckle-faced iron maiden to the fadeout. In this picture, she is equipped with a husband (Patrick O'Neal), but by pouting continually, she keeps him at arm's length. Morse, drugged on her sleeping potion, never gets to make anything but frantic motions. Thus if she is no longer precisely virginal, she remains constant...

Author: /time Magazine | Title: Cinema: Where Were You When The Lights Went Out? | 8/9/1968 | See Source »

...down the road with him. At length, they boot him out. Says the salesman, unperturbed: "How are you going to finance it?" Bonnie mutters sullenly: "Finance it, Clyde." Clyde tosses out a satchel of money and drives off, while the salesman, ever the honest fellow, chases them into the fadeout, protesting valiantly that he has been overpaid. The possibilities are enormous. How about a scene that depicts Clyde brandishing a .46-caliber tommy gun. It's only a silly millimeter wider...

Author: /time Magazine | Title: Commercials: The Bonnie & Clyde Caper | 3/22/1968 | See Source »

...their music, the Fish have fun with drugs. 'We're gonna make him drop some acid," someone mutters at the fadeout of "Superbird," a direct and bitter stab at President Johnson...

Author: By Andrew Jamison, | Title: Country Joe And The Fish | 3/16/1968 | See Source »

Fondling a martini, flaked out on the sofa in his Beverly Hills home, bald, bespectacled Gene Kelly could pass as the aging big star lapsing into the big fadeout. But not so. One flourish from that invisible 100-piece orchestra that always seems to follow him around, and he would undoubtedly slap on his hairpiece and straw hat, pirouette over the coffee table, go tippity-tap-tapping along the poolside, buck and wing it across the volleyball court, and end up with a ten-minute improvisation on the monkey bars...

Author: /time Magazine | Title: Old Faces: Sextuple Threat | 8/4/1967 | See Source »

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