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...biopic about the screenwriting duo would probably fade in with obligatory teenage scenes of skinny Scott growing up in Los Angeles and larger Larry in South Bend, Ind., both obsessively making Super-8mm movies. Cut to the late '70s, when these film geeks become roommates at the University of Southern California after discovering a mutual love for trashy horror flicks like Herschell Gordon Lewis' Blood Feast and 2000 Maniacs. Now jump-cut to 1990, when they sell an original comedy about a bad seed called Problem Child but become dejected by the unfunny film that is made. To cheer themselves...

Author: /time Magazine | Title: Cinema: The Odd Fellows | 12/31/1999 | See Source »

...Each scene becomes more and more reflective of a cinematic game, as the men fight from summer to fall with individual deaths meaning little. Lee's fade-outs to nature are beautiful portraits of the rich Missouri countryside, yet he is almost too proud of his ability to capture these scenes on film. While he tries to establish a distinction between active battle and quiet days at camp, each fade-out is one more step away from the film's chance to redeem itself with a coherent story line. Hints of Lee's genius as a director do show...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Not Tobey: Devil Without a Cause | 12/17/1999 | See Source »

...coming turn of the millennium. While the optimists claim that Radcliffe's conversion into an institute for advanced study will allow the former college to expand its presence within the University community, the naysayers believe that Radcliffe--and its role as a strong advocate for women on campus--will fade quietly into the woodwork...

Author: By The CRIMSON Staff, | Title: A Trust We Can Trust | 12/15/1999 | See Source »

...this sterility, the play opens as dark lighting and odd music fade into a sharply lit, sanitary office. The dialogue is reminiscent of a machine, and the office becomes a highly functional organism. The Filing Clerk (Randy Gomes '02) and the Adding Clerk (Eddie Montoya '02) do a fabulous job of doubling dialogue and repeating each other with static variations. Coupled with the aimless chatter of the Stenographer (Kate Agresta '02) and the Telephone Girl (Thandi Parris '01), an environment of alienation is complete. Everything about this world is artificial, including the commotion when Helen (Erica Rabbit '00) enters...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...They're going to lose momentum," he says, stepping outside Gnomon's into the morning drizzle. "If somebody starts too early on, they're old news by the time the election rolls around...their stuff will fade into the background...

Author: By Jonelle M. Lonergan, CRIMSON STAFF WRITER | Title: Stumped:Candidates Go the Distance | 12/10/1999 | See Source »

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