Word: faggioni
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Dates: during 1984-1984
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...form, Scotto's kittenish acting is appropriate, even if her distressing vocal wobble is not, and MacNeil's fraying baritone sounds better than it has in years. Ezio Frigerio's sets evoke both the splendor and the asceticism of medieval Ravenna and Rimini, but Director Piero Faggioni compensates for the music's static quality by moving the cast around a bit too hectically. The second act, however, is spectacular. It depicts a ferocious battle between the Guelphs and the Ghibellines, replete with whizzing crossbow arrows and hurtling fireballs. Conductor James Levine goes straight for the jugular...
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