Word: faggots
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Dates: during 1960-1969
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...perceptions, cultivate the visionary thing in me. And to keep living with someone-maybe even a man -and explore relationships that way." At Christmastime in 1954, he began to explore the relationship of love with Fellow Poet Peter Orlovskv. "It was very beautiful, totally unlike a New York faggot situation. It was like some sort of very idealized happy Dostoevskian confrontation of souls." The confrontation has apparently endured...
...those Cambridge police must have relished the opportunity bash in the heads of all the "rich, commie-faggot" Harvard boys they have hated and lusted after in frustration all these years. How obvious that their unleashed violence and anger would only precipitate unprecedented disruption and destruction of the University. How incredibly foolish of you to cause this to happen...
...raisin jack and get high and try to seduce one another in a cell block called Queens Row. The character that Bruce called "the handsome but mixed-up prison doctor, H. B. Warner," has been replaced by a sissified head-shrinker whom the men lovingly refer to as "that faggot psychologist." The warden, usually portrayed as tough but sympathetic, is played as a brutal martinet by Frank Eyman, who is a real-life warden...
...Memory Shop to trade early Batman comics for early Dick Tracy with a tough truck driver from St. Louis who fell by every month or so. He was tall and unshaven and sweaty, so it surprised me the first time when his voice revealed him a gentle nervous faggot. I would have forgotten him had I not seen him reincarnated last night as Flute, the Bellows-mender, later Thisbe, both parts executed by Woody Wickham with the innate grace of a Hasty Pudding veteran. Director Tim Mayer knows, among countless other things, something of the deceptive nature of initial appearance...
...hero, John Morley (Zero Mostel) is, by self-definition, "a flaming faggot." He is also a zany, successful author who has never paid his income tax. The I.R.S. has ferreted out his secret, and Morley has been forced to throw himself on the mercy of tax advisers. His chief consultant, Irving Spaatz (Jules Munshin), is a legal weasel of wizardry inventiveness. Munshin plays the role in droll fashion and is astonishingly agile at working his way through a verbal tax maze of inflated gibberish that includes explanations of convertible debentures, spinoffs, and sale-leaseback arrangements...