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...TIME.comix: The characters in "Fagin" are extremely expressive, like actors...

Author: /time Magazine | Title: Never Too Late | 9/19/2003 | See Source »

...TIME.comix: Isn't there a parallel, though, between Charles Dickens' depiction of Fagin and your depiction of Ebony, in that both were created out of the culture of their time...

Author: /time Magazine | Title: Never Too Late | 9/19/2003 | See Source »

...mention it somebody else would. But as far as the Spirit is concerned, I stopped doing "The Spirit" in '52 and when people ask me, Do I ever feel like doing it again, I say, "When I do, I lie down until the feeling goes away." If the "Fagin" book is successful I think there's more to do in that [polemical] direction...

Author: /time Magazine | Title: Never Too Late | 9/19/2003 | See Source »

...TIME.comix: I'd like to ask about your evolution as an artist. In "The Spirit" days, though the work was radical for its time, you were using the conventional mechanics of comics: clearly defined panels, polished, inked drawings and full color. In the latter part of your career, including "Fagin the Jew," you have moved away from panel borders and into a sketchier drawing technique with just a brown wash for color. What's behind your change in style...

Author: /time Magazine | Title: Never Too Late | 9/19/2003 | See Source »

...Fagin the Jew" is available at all major bookstores

Author: /time Magazine | Title: Never Too Late | 9/19/2003 | See Source »

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