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Cambridge resident Todd Townshend, who went to see Fahrenheit 9/11 at the Loews Harvard Square theater on Wednesday, said he thought movie ratings had “gotten softer over the years...

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: HSPH Finds Movies More Violent | 7/16/2004 | See Source »

...possible that Fahrenheit 9/11 may be having an impact on Kerry's war chest. Last week, the day before the movie's surprise victory at the box office was announced, Internet donations to the Kerry campaign climbed to a two-day fund-raising record of $5 million, with no special push from the candidate. Moviegoers may be plunking down their $9 at the multiplexes, then going home and e-mailing more money to the Man Who Isn't Bush. Says former Kerry campaign manager Jim Jordan of the film: "It is an exaggerated message from an imperfect messenger...

Author: /time Magazine | Title: The World According To Michael | 7/12/2004 | See Source »

...camera and in the editing room. With his 1989 Roger & Me, Michael Moore juiced up the genre by putting his bulky charisma front and center, pestering the powerful and using every trick in the propagandist's (and stand-up comedian's) arsenal to push home his political point. Fahrenheit 9/11 offers a crash course in an artful documentarian's sleight of hand. Five strategies in Moore Method...

Author: /time Magazine | Title: The Moore Method | 7/12/2004 | See Source »

More than one political movie is turning up the Fahrenheit this election season. Among the documentaries, Bush's Brain builds a brief against adviser Karl Rove; Uncovered: The War on Iraq deconstructs the war's rationale; The Hunting of the President, co-directed by Bill Clinton confidant Harry Thomason, assails what it calls a long-term right-wing campaign to destroy Clinton; Control Room looks at Iraq as seen by Arab news channel al-Jazeera. Meanwhile, John Sayles' fictional Silver City gives us Chris Cooper playing a corrupt--and familiarly fumble-mouthed--gubernatorial candidate...

Author: /time Magazine | Title: The Cultural Campaign | 7/12/2004 | See Source »

Sitting in the movie theater watching Michael Moore's Fahrenheit 9/11 amid an audience utterly riveted by a movie speaking to its deepest emotions, I kept getting a sense of deja vu. Where had I felt such crowd dynamics before? And then I remembered. What I was sensing was eerily similar to the awestruck devotion I had noticed in another audience--this time of Fundamentalist Christians--as it watched Mel Gibson's The Passion of the Christ. Both movies were appealing to what might be called their cultural bases. They weren't designed to persuade. They were designed to rally...

Author: /time Magazine | Title: Blinded By The Light | 7/12/2004 | See Source »

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