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...accusatory inflections, rough humor, feral grace and odd parlor tricks, from a no-hands bobbing of his hat on his head to incessant, playful swiping of a bystander's gold watch. He brings vitality to such shopworn comedy as passing out, being revived and protesting, "Here! I didn't faint for water." In a leaning-on-a-lamppost number, Lindsay achieves a slouchy elegance that visually echoes Gene Kelly's title solo in Singin' in the Rain. Plunkett is melodious as "my girl," but Lindsay's performance practically shouts, "Look at me!" and thoroughly rewards the attention...

Author: /time Magazine | Title: Theater: A Sweet and Sentimental Smash | 8/25/1986 | See Source »

...species had once coexisted. The arguments were precariously based on the widely held belief that bipedal dinosaurs stepped toe first when walking, a conclusion bolstered by the fact that their tracks usually include only the front part of the foot and the three toes, with the heel generally faint or missing. At Paluxy, some prints are oblong and toeless. True, they are 15 to 20 in. long, but, argue creationists, they could conceivably have been made by biblical giants...

Author: /time Magazine | Title: Science: Defeat for Strict Creationists | 6/30/1986 | See Source »

...hopes of stimulating similar long-term thinking and national commitment, the Paine commission produced a glossy, colorfully illustrated 211-page report that implicitly dismisses the worries about America's current space failures as the product of small minds and faint hearts. Calling the solar system "our extended home," the document urges the U.S. to take logical, sequential steps toward colonizing space over the next 50 years. It assumes that NASA's proposed orbiting space station will be in place by 1994. Simultaneously, research would proceed on both an aerospace plane (President Reagan's so-called Orient Express), capable of taking...

Author: /time Magazine | Title: Space: Fixing Nasa | 6/9/1986 | See Source »

...nature, this show can give only a faint impression of Rivera's achievements as a muralist. But his strength as a draftsman on the large scale can easily be assessed from the cartoons for the Detroit Industry frescoes. A drawing like Figure Representing the Black Race has a formal strength to match its chthonic allegorical power; it makes you realize what levels of graphic sophistication lay beneath the populist surface. Such is Rivera at his best, but even at his worst the man's kitsch and bad taste have an orotund wholeheartedness that seems endearing. His mock-surrealist landscapes...

Author: /time Magazine | Title: Art: The Tintoretto of the Peons | 6/9/1986 | See Source »

...dancing would give Jerry Falwell an apoplectic fit. Haunted by a vague sense that something is missing, Pippin sings and dances his way through battles, assassinations and orgies. David Chase's direction never shrinks from graphic depictions of decadent revelry, so this Pippin is not a show for the faint of heart or the prudish...

Author: By Brooke A. Masters, | Title: Spring's Here and So Is Pippin | 4/30/1986 | See Source »

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