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However, all was not brash thunder and explosive lightning. To temper the vitrolite building through the first of two stunningly executed sets, the group called upon the folk song “Scarborough Fair?? and a little known Gershwin standard, “Soon.” Perhaps the most compelling diversion was one of Scofield’s elegant compositions, an ode to his wife entitled “Mrs. Scofield’s Waltz.” A lyrical and haunting ballad, it allowed Black to soar over the melody, as he engaged in touching introspective...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: The Jazz Man Cometh | 4/6/2001 | See Source »

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