Word: fair
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Dates: during 1950-1959
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...Extravagant & Inflationary." Worn off too by the new budget was the first bloom of enthusiasm for Eisenhower's "Modern Republicanism." Newspapers long friendly to Ike rumbled that Modern Republicanism looked a lot like the big-spending New and Fair Deals. "Good Republicans," mourned a California G.O.P. county chairman, "are worried about it and complaining about it-the budget, the New Deal approach." Growled Iowa's Republican Congressman Harold Royce Gross: "I'm afraid I'm not a Modern Republican-not if it means a $72 billion budget...
...student body. Let me also request that you withhold my name, as I do not wish publicity but only opportunity to express deepest gratitude to the Editor of the Yardling for bringing this abominable crisis, this heinous betrayal of our democratic rights and duties, to the attention of Fair Harvard. May I also wish Mr. Barber the best of luck in attaining more of what many of his compatriots feel he seeks--publicity. Certainly we must all be gratified to know that we need not call in federal authorities since The Editor has assented to undertake the task of debunking...
...conference will get underway at nine o'clock this morning in the Dunster House library. President Pusey, Gordon M. Fair, master of Dunster, Carroll F. Miles, Allston Burr Senior Tutor in Dunster, Daniel S. Cheever, director of University Alumni Affairs, and several students will describe the present status and needs of the University...
...Fair Lady (from Shaw's Pygmalion), a holdover from last season that is still blooming after some 400 performances, pouring back profits to CBS, its sole angel ($401,000), which got exclusive television rights. Except for stray seats, My Fair Lady is dated up until September. Other hits from past seasons that are still flourishing are Frank Loesser's operatic The Most Happy Fella, and Damn Yankees, a rollicking tale of sex, baseball and the devil...
...song is being written by Alan Jay Lerner '40, who wrote the lyrics for "My Fair Lady," and Leonard Bernstein '39. When requested to write the piece, Bernstein asked, "Do you want a chorale or a rouser?" and was told a rouser would be preferred...