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...State Department has named John K. Fairbank '29, Francis Lee Higginson Professor of History, to a new ten-man advisory panel on China...

Author: NO WRITER ATTRIBUTED | Title: State Department Lists Fairbank On New Advisory Panel on China | 12/12/1966 | See Source »

Last week, Fairbank received a letter from the State Department asking him to serve on the proposed counsel. He agreed, but has heard nothing further about...

Author: NO WRITER ATTRIBUTED | Title: State Department Lists Fairbank On New Advisory Panel on China | 12/12/1966 | See Source »

Baritone Tom Weber, who looks more like a burgher-meister than a peasant, sings freely and clearly although without much range of emotion. Spring Fairbank sings the soprano in both cantatas smoothly and precisely. She is especially fine in the Coffee Cantata, which has a real plot, and a ridiculous one at that; Miss Fairbank milks almost as many laughs from her coffee aria as Richard Fermin does later from the Beatles. James Jones as Schlendrian has a wonderful voice, but his over-acting was almost painful by the time the cantata ended...

Author: By Linda J. Greenhouse, | Title: Bach and the Beatles | 12/9/1966 | See Source »

When (or, as John K. Fairbank said recently, if) Mao dies, Lin Piao will inherit the problems that such an educational system creates. He will control a massive agricultural country that may have crippled its most talented classes. Moreover, Lin is a soldier, who must rely on economic advisors to handle China's industrial and agricultural growth, and Chinese economists have not shown the same imagination in dealing with the economy that Mao has shown with the Party and Lin with the army...

Author: By T. JAY Mathews, | Title: Mao's Last Purge | 10/22/1966 | See Source »

...often the care, the audience's favorite was Zerlina, sung as soubrettishly as bearable by Spring Fairbank. Although her two charming scenes with Masetto were flawless, perhaps the most stylish singing came in the "La ci darem" duet with Giovanni. Bass Tom Weber, while rather dry-sounding and somewhat strained, made the most of Leporello's varied moods and tasks, though perhaps not with the same hilarity of his Don Alfonso (of last year's Cori). Less satisfactory were the nasal tenor of August Paglialunga, a peculiarly huge Don Ottavio, and the half-sung Masetto of Don Meaders...

Author: By Jeffrey B. Cobb, | Title: Don Giovanni | 4/28/1966 | See Source »

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